{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O110379"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O110379/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AE9317/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AE9317/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AE9317","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KX9951","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O110379/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O110379","accessionNumber":"A.7-1959","objectType":"Cameo","titles":[{"title":"George IV, King of Great Britain and Ireland","type":"generic title"}],"summaryDescription":"An intaglio carving is cut into the surface of the material and a cameo is in relief. The art of gemstone carving was known in ancient Greece and Rome and revived in Renaissance Italy, when connoisseurs began to form rich collections of engraved stones. Shell cameos, which were cheaper and more easily worked, became fashionable in the 19th century. Many were bought by tourists as souvenirs.","physicalDescription":"George IV, facing left, with laurel wreath.","artistMakerPerson":[{"name":{"text":"Girometti, Giuseppe","id":"A14300"},"association":{"text":"maker","id":"AAT251917"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"agate","id":"AAT11135"}],"techniques":[],"materialsAndTechniques":"Layered agate, in copper-gilt mount","categories":[{"text":"Sculpture","id":"THES48896"},{"text":"Jewellery","id":"THES48930"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2006AE9317","2018KX9951"],"imageResolution":"high","galleryLocations":[{"current":{"text":"111 (VA)","id":"THES49918"},"free":"","case":"CA002","shelf":"003","box":""}],"partTypes":[[{"text":"Cameo","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Rome","id":"x29106"},"association":{"text":"made","id":"x28654"},"note":"probably"}],"productionDates":[{"date":{"text":"1825-1850","earliest":"1825-01-01","latest":"1850-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by the Dowager Viscountess Mersey","dimensions":[{"dimension":"Height","value":"6.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"4.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Given by the Dowager Viscountess Mersey, in 1959.","historicalContext":"","briefDescription":"Cameo, layered agate, in copper-gilt mount, of George IV, by Giuseppe Girometti, Italy (probably Rome), ca. 1825-50","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Trusted, Marjorie, ed. <u>The Making of Sculpture. The Materials and Techniques of European Sculpture</u>. London: 2007, p. 148, pl. 285"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"George IV (King of Great Britain and Ireland, and King of Hanover)","id":"N726"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["A.7-1959"],"accessionNumberNum":"7","accessionNumberPrefix":"A","accessionYear":1959,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2016JF4825","2019LR1298","2019LP7554","2019LX0639"],"recordModificationDate":"2026-05-14","recordCreationDate":"2005-03-16","availableToBook":false}}