{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O110179"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O110179/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2013GB0224/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2013GB0224/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2013GB0224","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2013GB0237","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O110179","accessionNumber":"T.62-1974","objectType":"Hat","titles":[],"summaryDescription":"‘Balenciaga’s hats are an integral part of his fashion,’ reported the French fashion review Jardin des modes in 1961. They ensure ‘that volumes are balanced and the silhouette is perfectly finished off.’ Fairly conventional ensembles were often paired with a striking hat which lifted the whole look and made it appear more avant-garde. The client could buy the whole ensemble or leave the hat if it was too daring. The designs for hats were as fiercely protected as those for dresses. The police commissioner stamped the official sketches of the hats to protect them from being copied. ","physicalDescription":"White organdie hat with a shaped crown and brim. Organdie trims the crown and is draped to form a bow at the back.","artistMakerPerson":[{"name":{"text":"Cristóbal Balenciaga","id":"A2011"},"association":{"text":"designer","id":"AAT25190"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Organdie","id":"x30596"}],"techniques":[],"materialsAndTechniques":"Organdie","categories":[{"text":"Hats and headwear","id":"THES48943"},{"text":"Fashion","id":"THES48957"},{"text":"Womenswear","id":"THES49044"},{"text":"Accessories","id":"THES48998"}],"styles":[],"collectionCode":{"text":"T&F","id":"THES48601"},"images":["2013GB0224","2013GB0237"],"imageResolution":"low","galleryLocations":[{"current":{"text":"001","id":"THES344835"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Hat","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Paris","id":"x29068"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1963","earliest":"1963-01-01","latest":"1963-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Mrs Loel Guinness","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Worn and given by Gloria Guinness","historicalContext":"Gloria Guinness (nee Gloria Rubio y Alatorre, 1912-1980) was an elegant socialite and writer of the mid 20th century.\r\n\r\nHer third husband, whom she married in 1951, was Group Capt. Thomas Loel Guinness, a Member of Parliament (died 1989) and an heir to the Guinness beer fortune. \r\n\r\nShe was voted 'Best Dressed Woman' in the world by <i>Time</i> magazine in 1962 behind Jackie Kennedy in first place.  (See <i>Time</i> magazine Jan 26 1962)\r\n\r\nShe owned seven homes, with a full wardrobe in each so that she would never have to pack or wait at customs.  She spread her patronage widely, and amongst donations to the V&A of pieces by Dior, Balenciaga, Givenchy etc., are pieces by lesser known couturiers such as Chaumont and Lafaurie.","briefDescription":"Organdie hat, designed by Cristóbal Balenciaga, Paris, Spring / Summer 1963","bibliographicReferences":[{"reference":{"text":"<i>Fashion : An Anthology by Cecil Beaton</i>. London : H.M.S.O., 1971","id":"AUTH354373"},"details":"","free":""}],"production":"","productionType":{"text":"Haute couture","id":"THES48861"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[{"text":"guinness","id":"N4525"},{"text":"Beaton","id":"N2787"}],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["T.62-1974"],"accessionNumberNum":"62","accessionNumberPrefix":"T","accessionYear":1974,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-05-21","recordCreationDate":"2005-03-14","availableToBook":false}}