{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1100819"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1100819/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2018LA0417/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2018LA0417/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2018LA0417","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1100819/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1100819","accessionNumber":"68008","objectType":"Photograph","titles":[{"title":"Study of an Oak Tree (Bas-Breau, Forest of Fontainebleau)","type":"generic title"}],"summaryDescription":"","physicalDescription":"Black and white salted paper print of a big tree in front of other trees. The branches of the tree are slightly vaulted and the treetop is only visible from downside.","artistMakerPerson":[{"name":{"text":"Gustave Le Gray","id":"A6509"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"salted paper","id":"AAT127389"},{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"photography","id":"AAT54225"}],"materialsAndTechniques":"Salted paper print","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2018LA0417"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"103","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}],[{"text":"salted paper print","id":"AAT127149"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Fontainebleau","id":"x30165"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1852","earliest":"1852-01-01","latest":"1852-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Chauncey Hare Townshend ","dimensions":[{"dimension":"Width","value":"379 ","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Image","note":""},{"dimension":"Height","value":"277","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Image","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph by Le Gray, Gustave. Bas-Breau, Forest of Fontainebleau, 1852, 19thC, Townshend Bequest","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Fontainebleau","id":"x30165"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"trees","id":"AAT132410"},{"text":"oak","id":"AAT12264"},{"text":"","id":""}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Photography Centre 2018-20:\n</b>\r\n\r\nCollection in Focus: Chauncy Hare Townshend (1798–1868)\r\n\r\nChauncy Hare Townshend was one of the few serious collectors of photography in the early years of its development. Apart from Prince Albert, he remains the only identifiable British private collector of early photographs on such a scale. He was an extremely wealthy art collector and connoisseur who moved in the highest social and literary circles – Charles Dickens even dedicated Great Expectations to him. Townshend bequeathed his large art collection, including paintings, furniture, gemstones, books and coins, as well as his photographs, to the South Kensington Museum (now the V&A) in 1868. His impressive photography collection ranged from images of political, military and contemporary events to a particularly striking group of French fine art photographs. Practising photographers tended to collect photographs, exchanging works as examples of style and process. But Townshend, who was not a photographer, recognised both photography’s documentary value, and even more so, its exciting new artistic capabilities.\r\n\r\n\r\n5. Gustave Le Gray (1820–84)\r\nStudy of an Oak Tree (Bas-Breau, Forest of Fontainebleau)\r\n1852\r\nSalted paper print\r\nMuseum no. 68008","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["68008"],"accessionNumberNum":"68008","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-08","recordCreationDate":"2009-07-01","availableToBook":false}}