{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1100612"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1100612/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2019LJ2679/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2019LJ2679/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2019LJ2679","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1100612/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1100612","accessionNumber":"67338","objectType":"Photograph","titles":[{"title":"John Stevens, R.S.A.","type":"generic title"},{"title":"John Stevens, Artist","type":"generic title"}],"summaryDescription":"","physicalDescription":"One of fifty sepia-coloured photographs of people taken in Scotland and bound in album.","artistMakerPerson":[{"name":{"text":"Adamson, Robert","id":"A11654"},"association":{"text":"photographer","id":"x43821"},"note":""},{"name":{"text":"Hill, David Octavius","id":"N4882"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Hill & Adamson","id":"AUTH382430"},"association":{"text":"photographers","id":"AAT25687"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"salted paper","id":"AAT127389"},{"text":"","id":""}],"techniques":[{"text":"salted paper processes","id":"AAT53495"},{"text":"photography","id":"AAT54225"},{"text":"calotype","id":"AAT53484"}],"materialsAndTechniques":"Salt paper print from calotype negative","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Portraits","id":"THES48906"},{"text":"Scotland","id":"THES262877"}],"styles":[{"text":"mid 19th century","id":"x41031"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2019LJ2679"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"55","box":"I"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}],[{"text":"album","id":"AAT26690"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Scotland","id":"x29130"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"1843-1847","earliest":"1843-01-01","latest":"1847-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[],"creditLine":"Given by Sir Theodore Martin, 1869","dimensions":[{"dimension":"Height","value":"23.5","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"volume","note":""},{"dimension":"Width","value":"19","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"volume","note":""},{"dimension":"Depth","value":"2.5","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"volume","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"'Calotypes of D.O. Hill, R.S.A / and / Robert Adamson  Edinburgh / MDCCCXLIII to MDCCCXLVIII'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Title page of Volume I"}],"objectHistory":"","historicalContext":"The famous partnership and collaboration between the artist David Octavius Hill and the photographer Robert Adamson came into being originally in order to produce photographic portraits to assist Hill as a painter. The team produced a wide range of superb, valuable work and they were the first consistently  and successfully employ calotype process in Great Britain.\r\n\r\n1843 Hill was introduced to Adamson and they began to collaborate on the production of calotype portraits as reference images for the painting ‘The Signing of the Deed of Demission’ which represents 474 dignitaries. Essentially, Hill posed and arranged the individual sitters or groups while Adamson attended to the technical aspects of the exposure, processing, and printing.\r\n\r\nSome of their most powerful images, however, were made in Scottish seashore villages and depict fishermen and women. They also photographed  the architecture and monument of Scotland  and made calotypes of their friends posed in medieval armour or costumes.","briefDescription":"Photograph by David Octavius Hill and Robert Adamson, 'John Stevens, R.S.A.', Artist, salted paper print from calotype negative, 1843-47","bibliographicReferences":[{"reference":{"text":"Stevenson, Sara. 'David Octavius Hill and Robert Adamson: Catalogue of their Calotypes Taken Between 1843 and 1847 in the Collection of the Scottish National Portrait Gallery', (Edinburgh: National Galleries of Scotland, 1981). ISBN 0903148374","id":"AUTH361378"},"details":"","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Scotland","id":"x29130"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"portraits","id":"AAT15637"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Gallery 100, ‘History of photography’, 2011-2012, label text : \r\nDavid Octavius Hill (1802-70)\r\nand Robert Adamson (1821-48)\r\n‘John Stevens RSA’\r\n1844-5\r\nThe partnership between Scottish painter Hill and\r\nchemist Adamson merged the art and science of\r\nphotography. Initially intending to create studies for\r\nHill’s paintings, they soon recognised photography’s\r\nartistic potential. Together they produced some of\r\nthe most accomplished photographic portraits\r\nof their time. Here, the sculptor John Stevens poses\r\nwith his work The Last of the Romans.\r\n\r\nSalted paper print\r\nGiven by Sir Theodore Martin\r\nMuseum no. 67.338\r\n","date":{"text":"07 03 2014","earliest":"2014-03-07","latest":"2014-03-07"}}],"partNumbers":["67338"],"accessionNumberNum":"67338","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[{"type":{"text":"Scottish National Portrait Gallery negative number","id":"THES293293"},"number":"PGP HA 2140"},{"type":{"text":"National Galleries of Scotland, Hill & Adamson 1981 Catalogue, page and classification","id":"THES293330"},"number":"pg. 107 (b)"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-16","recordCreationDate":"2009-07-01","availableToBook":false}}