{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O110014"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O110014/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AE5001/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AE5001/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AE5001","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O110014/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O110014","accessionNumber":"175-1864","objectType":"Statuette","titles":[{"title":"St Sebastian","type":"generic title"}],"summaryDescription":"The techniques used in carving in wood and stone were fundamentally the same. First the sculptor carved the rough shape of the piece, a process known as 'blocking out'. Then, he would work the surface with knives or chisels and abrasives. The figure was generally held horizontally at a workbench and attached to cylindrical shafts, so the sculptor could turn the piece as he carved. Small-scale pieces were generally carved at a workbench. \r\n\r\nBoxwood was a fine-grained wood much used for small-scale sculpture.\r\nThe technique used here of gilding underlying the paint, or being revealed when the paint is scratched through, is typical of Spanish sculpture.","physicalDescription":"St. Sebastian leans back against a tree stump. His left arm is tied to tree above shoulder; his right arm is behind the torso and draped over a limb of the tree. The head looks to the left. The weight is on the right foot, the left foot is relaxed.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Boxwood","id":"AAT12002"}],"techniques":[{"text":"painting","id":"x30598"},{"text":"gilding","id":"AAT53789"}],"materialsAndTechniques":"Boxwood, painted and gilded","categories":[{"text":"Sculpture","id":"THES48896"},{"text":"Christianity","id":"THES48978"},{"text":"Religion","id":"THES48900"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2006AE5001"],"imageResolution":"high","galleryLocations":[{"current":{"text":"111","id":"THES49918"},"free":"","case":"CA001","shelf":"","box":""}],"partTypes":[[{"text":"Statuette","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Castile","id":"x35197"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1700-1750","earliest":"1695-01-01","latest":"1750-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"MA/3/5/6","id":"ARC25776"},"association":"Archive record"}],"creditLine":"","dimensions":[{"dimension":"Height","value":"19.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Bought by John charles Robinson from don José Calcerrada, Madrid in 1863, for £4.","historicalContext":"","briefDescription":"Statuette, boxwood painted and gilded, St Sebastian, Spain (Castile), ca. 1700-50","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Inventory of Art Objects Acquired in the Year 1864 <u>In</u>: <u>Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I</u>. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 71"},{"reference":{"text":"","id":""},"details":"","free":"Trusted, Marjorie. <u>Spanish Sculpture. Catalogue of the Post-Medieval Spanish Sculpture in Wood, Terracotta, Alabaster, Marble, Stone, Lead and Jet in the Victoria and Albert Museum</u>, London, 1996, p. 67, cat. no. 25"},{"reference":{"text":"","id":""},"details":"","free":"Trusted, Marjorie, ed. <u>The Making of Sculpture. The Materials and Techniques of European Sculpture</u>. London: 2007, p. 128, pl. 233"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"St. Sebastian","id":"N831"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["175-1864"],"accessionNumberNum":"175","accessionNumberPrefix":"","accessionYear":1864,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2008BR5029","2019LM9902","2019LN0903","2019LP1861","2019LW5231"],"recordModificationDate":"2026-05-14","recordCreationDate":"2005-03-08","availableToBook":false}}