{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1098408"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1098408/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AL4560/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AL4560/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AL4560","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1098408/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1098408","accessionNumber":"68028","objectType":"Photograph","titles":[{"title":"The Marseillaise (The Departure of the Volunteers of 1792), by François Rude, 1833–36, Arc de Triomphe de l’Etoile, Paris","type":"generic title"}],"summaryDescription":"","physicalDescription":"Black and white salted paper print of a sculptural group in front of a stone wall with a geometric patterned border. The group consists of a winged woman in armour floating over and leading a group of men, who are partly in armour or naked. ","artistMakerPerson":[{"name":{"text":"Gustave Le Gray","id":"A6509"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"},{"text":"salted paper","id":"AAT127389"}],"techniques":[{"text":"photography","id":"AAT54225"}],"materialsAndTechniques":"Salted paper print","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AL4560"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC","id":"THES49171"},"free":"","case":"COS","shelf":"SH6","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Paris","id":"x29068"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"1852","earliest":"1852-01-01","latest":"1852-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Chauncey Hare Townshend ","dimensions":[{"dimension":"Width","value":"368","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Image","note":""},{"dimension":"Height","value":"483 ","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Image","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph by Gustave Le Gray, The Marseillaise (The Departure of the Volunteers of 1792), by François Rude, 1833–36, Arc de Triomphe de l’Etoile, Paris\". Sculptural Group., 1852","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Paris","id":"x29068"},{"text":"Arc de Triomphe","id":"x40465"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"sculpture","id":"AAT47090"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Photography Centre 2018-20:\n</b>\r\n\r\nCollection in Focus: Chauncy Hare Townshend (1798–1868)\r\n\r\nChauncy Hare Townshend was one of the few serious collectors of photography in the early years of its development. Apart from Prince Albert, he remains the only identifiable British private collector of early photographs on such a scale. He was an extremely wealthy art collector and connoisseur who moved in the highest social and literary circles – Charles Dickens even dedicated Great Expectations to him. Townshend bequeathed his large art collection, including paintings, furniture, gemstones, books and coins, as well as his photographs, to the South Kensington Museum (now the V&A) in 1868. His impressive photography collection ranged from images of political, military and contemporary events to a particularly striking group of French fine art photographs. Practising photographers tended to collect photographs, exchanging works as examples of style and process. But Townshend, who was not a photographer, recognised both photography’s documentary value, and even more so, its exciting new artistic capabilities.\r\n\r\n7. Gustave Le Gray (1820–84)\r\nThe Marseillaise (The Departure of the Volunteers of 1792), by François Rude, 1833–36, Arc de Triomphe de l’Etoile, Paris\r\n1852\r\nSalted paper print\r\nMuseum no. 68028","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["68028"],"accessionNumberNum":"68028","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-07-31","recordCreationDate":"2009-07-01","availableToBook":false}}