{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O109219"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O109219/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AB9556/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AB9556/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AB9556","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O109219/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O109219","accessionNumber":"1282-1876","objectType":"Dish","titles":[],"summaryDescription":"This dish is an example of the brilliantly coloured ceramics Iranian potters created in the period 1600-1700. Often, as here, they used single- colour glazes. Many of these wares have moulded or carved decoration, as on the rim of this piece.\r\n \r\nIn the 16th century, ceramic production in Iran was on a modest scale. When the capital moved to Isfahan around 1600, the production of luxury dishes and wall tiles in a wide variety of styles and techniques rapidly increased.\r\n\r\nWe cannot identify a particular centre of production of ceramic vessels. Surviving pieces illustrate the many techniques the potters used. These included underglaze painting and coloured glazes, and lustre, which was revived after 1650.","physicalDescription":"Fritware plate covered with a monochrome glaze coloured in lavender blue. The only decoration is in the rim and consists of ridged lines towards the centre of the plate, bordered on outer and inner edge with fine line. Many examples survive of this type of Iranian ware, for they are one of the closest imitations of Chinese wares that Iranian potters ever achieved.  It is only the opaque glaze that gives an immediate clue, for all other details are meticulously copied.  Most impressively the potters managed to give the pieces the required heavy weight, which earlier copies never achieved.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Fritware covered with monochrome glaze","categories":[{"text":"Islam","id":"THES48932"}],"styles":[{"text":"Safavid","id":"AAT21712"}],"collectionCode":{"text":"MES","id":"THES48607"},"images":["2006AB9556"],"imageResolution":"high","galleryLocations":[{"current":{"text":"42 (VA)","id":"THES49806"},"free":"","case":"WN9","shelf":"","box":""}],"partTypes":[[{"text":"Dish","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Iran","id":"x30220"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"17th century","earliest":"1600-01-01","latest":"1700-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Diameter","value":"33.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Large dish covered in a monochrome lavender glaze, Iran, 17th century","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Jameel Gallery \n\nSafavid Ceramics and Colour\r\nSafavid potters created brilliantly coloured ceramics. The effect was often achieved with\r\nglazes of a single colour. Many of these wares have moulded or carved decoration. The most unusual appears on bottles made in the 17th century, which bear scenes of people and animals.\r\n\r\nA second technique used coloured slips, or liquid clay, under the glaze. Potters sometimes carved the slip away to reveal the white body beneath. In other cases, they added designs in white and other slips.\n\n10-11 Lavender Dishes\r\nIran\r\n1600-1700\r\nMoulded fritware under coloured glaze\r\nMuseum nos. 490-1888, 1282-1876","date":{"text":"Jameel Gallery","earliest":"2006-07-20","latest":null}}],"partNumbers":["1282-1876"],"accessionNumberNum":"1282","accessionNumberPrefix":"","accessionYear":1876,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LP2649","2019LT1749","2019LU3715"],"recordModificationDate":"2025-04-08","recordCreationDate":"2005-02-10","availableToBook":false}}