{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O108983"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O108983/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AY2893/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AY2893/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006AY2893","copyright":"©Victoria and Albert Museum, London/Bill Graham Enterprises, Inc.","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O108983","accessionNumber":"E.523-2004","objectType":"Poster","titles":[{"title":"The Blues Project","type":"generic title"}],"summaryDescription":"Wes Wilson described his graphic design aesthetic as \"visual poetry set into poster formats.\" Wilson worked primarily in bold colours, to complement the psychedelic light shows which took place during performances at the Fillmore Auditorium and its rival the Avalon Ballroom. His eye-catching posters feature inventive lettering - which became increasingly stylised and illegible as his style evolved. Here, Wilson's image features a harmonica-playing blues man shown in distorted perspective.","physicalDescription":"Psychedelic distorted image of a man playing harmonica in turquoise (green) and white on dark blue ground.","artistMakerPerson":[{"name":{"text":"Wilson, Wes","id":"A3062"},"association":{"text":"designer","id":"x36960"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"},{"text":"ink","id":"AAT15012"}],"techniques":[],"materialsAndTechniques":"Colour offset lithograph","categories":[{"text":"Prints","id":"THES48903"},{"text":"Advertising","id":"THES49001"},{"text":"Entertainment & Leisure","id":"THES48959"},{"text":"Posters","id":"THES252963"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AY2893"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLC","id":"THES49171"},"free":"","case":"MB3G","shelf":"DR18","box":""}],"partTypes":[[{"text":"poster","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"United States","id":"x29333"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1966","earliest":"1966-01-01","latest":"1966-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Gift of the American Friends of the V&A; Gift to the American Friends by Leslie, Judith and Gabri Schreyer and Alice Schreyer Batko","dimensions":[{"dimension":"Height","value":"56.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"34.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"","value":"","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"\"The Blues Project\" psychedelic poster of a man plying a harmonica by Wes Wilson. Green and white on dark blue ground. USA, 1966.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Christoph Grunberg, ed. <u>Summer of Love: Art of the Psychedelic Era</u> London: Tate, 2005. 239 p. : ill. (some col.) ISBN: 1854375954."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"San Francisco","id":"x32036"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"performances","id":"AAT69200"},{"text":"music","id":"x35606"}],"contentConcepts":[{"text":"psychedelic art","id":"x36568"}],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Through its marketing, 1960s psychedelic music attempted to create a visual interpretation of the adventurous sonic worlds of the genre. The decade's explosion of mind-altering music and culture took inspiration from Art Nouveau, Surrealism, and 19th century graphic art. The posters advertising events at the Fillmore Auditorium in San Francisco began to define the style with text and images floating like waves of sound. The influence of these visuals extended way beyond psychedelic rock, representing a whole era of pop culture.","date":{"text":"2019","earliest":"2019-01-01","latest":"2019-12-31"}}],"partNumbers":["E.523-2004"],"accessionNumberNum":"523","accessionNumberPrefix":"E","accessionYear":2004,"otherNumbers":[{"type":{"text":"Leslie Schreyer Loan Number","id":"THES50220"},"number":"LS.949"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-08","recordCreationDate":"2005-02-03","availableToBook":false}}