{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O108551"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O108551/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2013GJ9140/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2013GJ9140/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2013GJ9140","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O108551","accessionNumber":"S.70-2004","objectType":"Stage property design","titles":[],"summaryDescription":"Theatrical properties are divided into two kinds, hand 'props' (anything that an actor can pick up or hold) and set props (such as furniture).  Whereas theatrical designs for costumes or sets are relatively common, designs for props are much rarer.  Yet on a set, everything has to be appropriate to the whole or, indeed, be an indicator of the personality of the characters who live there.  Alix Stone produced this portrait group for a production of the opera The Bear, and it immediately indicates to an audience that the production is comic and somewhat 'over the top'.","physicalDescription":"Drawing of three heads in a picture frame, the head on the left drawn onto the paper, the other two cut out and stuck down; the centre and right heads extend beyond the picture area into the frame.","artistMakerPerson":[{"name":{"text":"Stone, Alix","id":"A5363"},"association":{"text":"costume designers","id":"AAT163428"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper (fiber product)","id":"AAT14109"},{"text":"pen and ink","id":"x30618"},{"text":"wash","id":"AAT11051"}],"techniques":[{"text":"drawing","id":"AAT54196"}],"materialsAndTechniques":"","categories":[{"text":"Theatre properties","id":"THES286250"}],"styles":[],"collectionCode":{"text":"T&P","id":"THES48602"},"images":["2013GJ9140"],"imageResolution":"low","galleryLocations":[{"current":{"text":"005","id":"THES356709"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"stage property design","id":""}],[{"text":"theatre design","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[{"date":{"text":"ca. 1985","earliest":"1980-01-01","latest":"1989-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[],"creditLine":"Given by Dr Ray Ingram","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[{"content":"\"Ive made the heads too Big - / Reduce to fit inside frame\"","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"on reverese"}],"objectHistory":"Prop sketch by Alix Stone for an unidentified production of William Walton's opera 'The Bear', possibly in 1987.","historicalContext":"","briefDescription":"Theatrical property drawing by Alix Stone for an unidentified production of 'The Bear', possibly 1987.","bibliographicReferences":[],"production":"Reason For Production: Commission","productionType":{"text":"Unique","id":"THES48864"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[{"text":"Walton, William Turner (Sir)","id":"N4417"}],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":["The Bear"],"galleryLabels":[],"partNumbers":["S.70-2004"],"accessionNumberNum":"70","accessionNumberPrefix":"S","accessionYear":2004,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-02-08","recordCreationDate":"2005-01-13","availableToBook":true}}