{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1069954"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1069954/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2024NT3042/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2024NT3042/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2024NT3042","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2024NT3044","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1069954/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1069954","accessionNumber":"EVANS.164","objectType":"Portrait miniature","titles":[{"title":"Portrait of Arthur Hill-Trevor, Lord Dungannon","type":"generic title"}],"summaryDescription":"Anne Mee (b. Foldsone, ca. 1770-1851) was a British miniature painter active in the early nineteenth century. She likely trained with her father, John Foldsone, before taking lessons with George Romney. Her portrait practice supported the family financially after the passing of Mee’s father in 1784. In 1788, the poet William Hayley wrote of Mee:\r\n\r\n ‘I am sitting for him [George Romney] to a young female genius in miniature, who, at the age of seventeen, will, I trust, under his patronage, most comfortably raise, and support by her wonderful talent, a drooping family.’\r\n\r\nMee was celebrated during her lifetime and gained the patronage of Queen Charlotte and the Prince of Wales. Her husband, Joseph Mee, was supportive of her practice, though the diarist Farrington remarked that he ‘consented to let her paint ladies only who were never to be attended by gentlemen.’ Though reserved, he must have understood the financial incentives in letting Mee continue to paint: her practice was exceptionally lucrative, surpassing prices charged by male contemporaries like Richard Cosway. \r\n\r\nMee exhibited at the Royal Academy and the British Institution between 1804 and 1837.","physicalDescription":"Portrait miniature on ivory of Arthur Hill-Trevor, Lord Dungannon, with hairwork on the reverse, set in a metal frame.","artistMakerPerson":[{"name":{"text":"Anne Mee","id":"A7723"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"ivory","id":"AAT11857"},{"text":"watercolour","id":"AAT15045"},{"text":"hair","id":"AAT11820"}],"techniques":[{"text":"watercolour painting","id":"THES250889"}],"materialsAndTechniques":"Watercolour on ivory ","categories":[{"text":"Portraits","id":"THES48906"},{"text":"Paintings","id":"THES48917"},{"text":"Miniatures","id":"THES269968"},{"text":"Woman Artist","id":"THES387590"},{"text":"Hair and hairstyles","id":"THES258945"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2024NT3042","2024NT3044"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"RMC","shelf":"3","box":"H"}],"partTypes":[[{"text":"miniatures (paintings)","id":"AAT33936"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1784 - ca. 1815","earliest":"1779-01-01","latest":"1819-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Alan Evans Bequest, given by the National Gallery","dimensions":[{"dimension":"Height","value":"70","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"58","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Dimensions taken from <i>Summary Catalogue of Miniatures in the Victoria and Albert Museum</i>, Emmett Microform, 1981.","marksAndInscriptions":[],"objectHistory":"The diarist Farrington noted that Joseph Mee only consented to Anne Mee painting female sitters. If so, and Mee followed this, this miniature is more likely to have been made before 1794.","historicalContext":"Portrait miniatures were frequently exchanged between loved ones and family in eighteenth- and nineteenth-century Britain as tokens of affection and remembrance. ","briefDescription":"Portrait Miniature, Arthur Hill-Trevor, Lord Dungannon, by Anne Mee, watercolour on  ivory, ca. 1784-1815","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<i>Summary Catalogue of Miniatures in the Victoria and Albert Museum</i>, Emmett Microform, 1981."},{"reference":{"text":"","id":""},"details":"","free":"\r\n\r\nAnne Mee, <i>The gallery of beauties in the court of his most excellent majesty George the Third</i>, London, 1812.\r\n"},{"reference":{"text":"","id":""},"details":"","free":"Paris A. Spies-Gans, <i>A Revolution on Canvas: The Rise of Women Artists in Britain and France, 1760-1830</i>, New Haven and London: Yale University Press and Paul Mellon Centre for Studies in British Art, 2022, p. 246. "}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Arthur Hill-Trevor, 2nd Viscount Dungannon","id":"AUTH398830"}],"associatedPerson":[{"text":"arthur hill-trevor","id":"AUTH398830"}],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["EVANS.164"],"accessionNumberNum":"164","accessionNumberPrefix":"EVANS","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-05","recordCreationDate":"2009-06-30","availableToBook":false}}