{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O106438"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O106438/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2020MR8713/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2020MR8713/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2020MR8713","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2020MR8714","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2020MR8720","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O106438/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O106438","accessionNumber":"S.1471-1982","objectType":"Theatre costume","titles":[{"title":"La Danse","type":"generic title"}],"summaryDescription":"Costume for the Waltz Promotionen, designed by Wilhelm and worn by Adeline Genée in Tableau V of <i>La Danse</i>, Metropolitan Opera House, New York, 1912, and London Coliseum, 1914.\r\n\r\nAdeline Genée developed a passionate interest in ballet history and found opportunities to present it through performance. She first staged <i>La Danse</i> at a matinee in New York and it became an important work in her repertoire. <i>La Danse</i> included the development of social dances as well as ballet. This dress was worn in a sequence which showed the waltz in Napoleonic France.\r\n\r\n","physicalDescription":"Costume for the Waltz Promotionen worn by Adeline Genée in Tableau V of <i>La Danse</i>. White satin underdress trimmed silk fringe and tricoloured jewelled ribbons. Overskirt of white chiffon with stamped gold design, embroidered with spangles.","artistMakerPerson":[{"name":{"text":"Wilhelm, C. RI","id":"A8989"},"association":{"text":"costume designers","id":"AAT163428"},"note":""},{"name":{"text":"Hastings (Miss)","id":"AUTH336625"},"association":{"text":"makers","id":"AAT251917"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"satin","id":"AAT132902"},{"text":"silk (textile)","id":"AAT243428"},{"text":"ribbon","id":"AAT14668"},{"text":"chiffon","id":"AAT249449"},{"text":"spangle","id":"x30494"}],"techniques":[{"text":"stamping (marking)","id":"AAT239001"},{"text":"sewing","id":"AAT53658"}],"materialsAndTechniques":"Satin, silk fringe, jewelled ribbons, chiffon and spangles","categories":[{"text":"Entertainment & Leisure","id":"THES48959"},{"text":"Dance","id":"THES252984"},{"text":"Theatre costume","id":"THES268477"}],"styles":[],"collectionCode":{"text":"T&P","id":"THES48602"},"images":["2020MR8713","2020MR8714","2020MR8720"],"imageResolution":"high","galleryLocations":[{"current":{"text":"103","id":"THES49931"},"free":"","case":"CA001","shelf":"BACK","box":""}],"partTypes":[[{"text":"Theatre costume","id":""}],[{"text":"dance costume","id":"x34504"}],[{"text":"dresses","id":"AAT46159"}]],"contentWarnings":[{"apprise":"","note":""},{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1912","earliest":"1912-01-01","latest":"1912-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by the Royal Academy of Dance","dimensions":[{"dimension":"Length","value":"35","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"shoulder to waist","note":""},{"dimension":"Length","value":"130","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"shoulder to hem","note":""},{"dimension":"Length","value":"25","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"shoulder to sleeve","note":""},{"dimension":"Circumference","value":"65","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"waist at tricolour ribbon","note":""},{"dimension":"Width","value":"6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"width of tricolour belt","note":""},{"dimension":"Width","value":"6.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"rosette","note":""},{"dimension":"Length","value":"10","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"cameo medallion","note":""},{"dimension":"Width","value":"8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"cameo medallion","note":""},{"dimension":"Width","value":"3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"decorated tricolour ribbons round neck, sleeve and across bust","note":""},{"dimension":"Length","value":"71","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"underskirt","note":""},{"dimension":"Circumference","value":"146","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"underskirt","note":""},{"dimension":"Width","value":"10","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"decorative section on underskirt","note":""},{"dimension":"Length","value":"28","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"length/width of webbing and fringe on underskirt","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Costume for the Waltz Promotionen in Tableau V worn by Adeline Genée in the ballet <i>La Danse</i>, Metropolitan Opera House, New York, 17 December 1912, and London Coliseum, 6 April 1914. The ballet was choreographed by Genée, and the music was arranged and partly composed by Dora Bright. The costumes were designed by Wilhelm and executed by Miss Hastings and Alias.\r\n\r\nThe programme states that the ballet was:\r\n'An Authentic Record by Adeline Genee of Dancing and Dancers between the Years 1710 and 1845'\r\nIn seven tableaux and prelude and finale.\r\n\r\nTableau I:  Mademoiselle Prevost (Passepied from Triomphe de l'Amour / Chaconne from Le Menage de Moliere - Lully;  Paraphrase on Rameau's Rigaudon - arr. Bright)\r\n\r\nTableau II:  Mademoiselle de Camargo (Gavotte in F - Padre Martini; Rigaudon - Rameau; Corelli's Chaconne with Variations (1633) - Bright)\r\n\r\nTableau III:  Mademoiselle Salle (Tambourin and Musette - Rameau; Coninette - Gretry; Old Breton Air/Serenade from Don Giovanni - Mozart)\r\n\r\nTableau IV:  Mlles. Guimard, Allard and Mons. Duprez (Pdt, Pantomime, Allegro from Les Petits Riens - Mozart; Minuet in A - Boccherini; Gavotte in G from Paris and Helen - Gluck)\r\n\r\nTableau V:  Debut de la Valse (Fantasie on Waltz Themes (Strauss) - Bright; Waltz Promotionen - Strauss; Who is Silvia? - Schubert; Das Fischermadchen - Meyerbeer; Du Bist Wie Eine Blume - Schumann; Song without Words - Mendelssohn)\r\n\r\nTableau VI:  Mademoiselle Marie Taglioni (Prelude - Mazurka/Waltz - Chopin)\r\n\r\nTableau VII:  the Famous Pas de Quatre (Ballade from Coppelia - Delibes)","historicalContext":"","briefDescription":"Costume for the Waltz Promotionen, designed by Wilhelm and worn by Adeline Genée in Tableau V of <i>La Danse</i>, Metropolitan Opera House, New York, 1912, and London Coliseum, 1914","bibliographicReferences":[{"reference":{"text":"Dyer, Philip. <i>Adeline Genee: Centenary Exhibition Catalogue</i>, London : Royal Academy of Dancing, 1978","id":"AUTH354500"},"details":"112","free":""}],"production":"Reason For Production: Commission","productionType":{"text":"Unique","id":"THES48864"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[{"text":"Genée, Adeline","id":"N4377"}],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":["La Danse"],"galleryLabels":[{"text":"Adeline Genée developed a passionate interest in ballet history and found opportunities to present it through performance. She first staged <i>La Danse</i> at a matinee in New York and it became an important work in her repertoire. <i>La Danse</i> included the development of social dances as well as ballet. This dress was worn in a sequence which showed the waltz in Napoleonic France.","date":{"text":"26/10/2020","earliest":"2020-10-26","latest":"2020-10-26"}}],"partNumbers":["S.1471-1982"],"accessionNumberNum":"1471","accessionNumberPrefix":"S","accessionYear":1982,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE","Theatre costume"],"assets":[],"recordModificationDate":"2026-01-22","recordCreationDate":"2004-10-15","availableToBook":false}}