{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1062260"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1062260/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2019MB9863/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2019MB9863/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2019MB9863","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2019LY0767","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1062260/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1062260","accessionNumber":"E.3666-1932","objectType":"Print","titles":[],"summaryDescription":"Monumental brasses are commemorative plaques that served as effigies and were most commonly found in churches. The earliest examples come from the thirteenth century but they were popular up until the seventeenth century and then again in the Victorian Gothic Revival. Surviving brasses from the medieval period are limited due to the turbulent history of the Church but they do survive in considerable numbers in the East of England, Germany and Flanders. Made from an alloy of copper and zinc, a material known as latten, they were laid into church floors and walls. Monumental brasses are historically and stylistically significant because they record dress, architecture, armoury, heraldry (coats of arms and insignia) and palaeography (handwriting) in a dated object. In addition they tell the story of memorial and patronage. \n\r\nThe practice of recording brasses through a process of rubbing originates from the Victorian Gothic Revival. An early method of pouring printer’s ink into engraved lines and then placing damp tissue paper over the brass was replaced around the mid-nineteenth century with the more effective technique of using black shoemaker’s wax, known as heel ball. Brass rubbing continued to be a popular hobby into the twentieth century before the process was understood to cause damage to the brasses. ","physicalDescription":"Rubbing of a brass depicting an effigy, inscription in 12 Latin verses, marginal inscription and four shields commemorating Edmund Frowsetoure (d. 1529), S.T.P., Dean, Prebendary of Barton Colwalle. He is depicted in cap and rich cope, under a triple canopy with saints etc. in the side shafts including the Holy Trinity and SS. Ethelbert, John the Baptist, Katherine, Thomas of Hereford, Peter and Mary Magdalene.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"AAT14109"}],"techniques":[{"text":"rubbing","id":"AAT178924"}],"materialsAndTechniques":"Rubbing on paper","categories":[{"text":"Rubbings","id":"THES253217"},{"text":"Commemoration","id":"THES250532"},{"text":"Death","id":"THES48970"},{"text":"Christianity","id":"THES48978"},{"text":"Heraldry","id":"THES257728"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2019MB9863","2019LY0767"],"imageResolution":"high","galleryLocations":[{"current":{"text":"001","id":"THES383906"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"brass rubbing","id":"x38760"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Hereford","id":"x32690"},"association":{"text":"made","id":"x28654"},"note":"Rubbing from a brass in Hereford Cathedral"}],"productionDates":[{"date":{"text":"pre 1932","earliest":null,"latest":"1931-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Miss C. M. Eve, J.P.","dimensions":[{"dimension":"Height","value":"106.5","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"49.25","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Dimensions taken from <u>Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1932. </u> London: HMSO, 1933","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Rubbing of a brass depicting an effigy, inscription in 12 Latin verses, marginal inscription and four shields commemorating Edmund Frowsetoure (d. 1529), S.T.P., Dean Prebendary of Barton Colwalle, from Hereford Cathedral, pre 1932","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1932. </u> London: HMSO, 1933"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Ethelbert","id":"AUTH333819"},{"text":"John the Baptist","id":"N827"},{"text":"Mary Magdalene","id":"N482"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"Holy Trinity","id":"x45180"},{"text":"effigy","id":"AAT47108"},{"text":"inscription","id":"AAT28702"},{"text":"heraldry","id":"AAT138227"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.3666-1932"],"accessionNumberNum":"3666","accessionNumberPrefix":"E","accessionYear":1932,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-02-23","recordCreationDate":"2009-06-30","availableToBook":false}}