{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O106082"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O106082/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AE5373/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AE5373/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AE5373","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AH4795","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O106082/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O106082","accessionNumber":"S.2599-1986","objectType":"Print","titles":[{"title":"Fanny Ellsler (sic) in the Shadow Dance","type":"generic title"}],"summaryDescription":"Ondine is a water nymph who falls in love with a mortal.  In the sea, where the sun does not reach, there are no shadows, so when she steps onto the shore and the moon casts her shadow on the sand, she thinks it is another person.  The 'shadow dance' became the ballet's most famous image, celebrated in paintings and prints, which were avidly collected by Elssler's fans. Her spirited and sensuous dancing won her many male admirers, unlike the spiritual and ethereal performances of her great rival, Marie Taglioni, whose appeal was primarily to women.\r\nThis print, by the American Nathanial Currier, commemorates Elssler's huge popularity in America, where she toured in the early 1840s. She was so popular, that, according to legend, Congress agreed not to meet when she was dancing so that members could go to her performances.","physicalDescription":"Against blue mountains and sky with a full moon, a female figure dances on the rocky shore.  She is jumping from her right leg, the left foot visible at calf-height behind.  Her arms are held out with hands downwards and she is looking down at her shadow on the shore.  Her hair is dressed in severe mid-Victorian style and her knee-length ballet dress has an off the shoulder red fitted bodice with diaphanous short sleeves and wings at the back; the skirt is tinted palest pink.","artistMakerPerson":[],"artistMakerOrganisations":[{"name":{"text":"Currier, N.","id":"A4883"},"association":{"text":"publisher","id":"x32600"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"Lithographic ink","id":"AAT187750"},{"text":"Watercolour","id":"x33202"},{"text":"Paper","id":"x30308"}],"techniques":[{"text":"Lithography","id":"AAT53271"},{"text":"Hand colouring","id":"AAT133555"}],"materialsAndTechniques":"Lithograph coloured by hand","categories":[{"text":"Prints","id":"THES48903"}],"styles":[],"collectionCode":{"text":"T&P","id":"THES48602"},"images":["2006AE5373","2006AH4795"],"imageResolution":"high","galleryLocations":[{"current":{"text":"008","id":"THES356644"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Print","id":""}],[{"text":"Lithograph coloured by hand","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"New York","id":"x29030"},"association":{"text":"printed and published","id":"x35383"},"note":""}],"productionDates":[{"date":{"text":"1846","earliest":"1846-01-01","latest":"1846-12-31"},"association":{"text":"published","id":"x30682"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Lady Mary Evans","dimensions":[{"dimension":"Height","value":"269","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"357","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"In Ondine, created by Jules Perrot in 1843, Ondine is a water nymph who falls in love with a mortal.  Fanny Elssler took over the title role in the ballet Ondine from Fanny Cerrito, for whom it was created, and danced it on her tours of America.","historicalContext":"","briefDescription":"Fanny Elssler in the Shadow Dance from Ondine Lithograph coloured by hand by Nathanial Currier, 1846","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["S.2599-1986"],"accessionNumberNum":"2599","accessionNumberPrefix":"S","accessionYear":1986,"otherNumbers":[{"type":{"text":"PeoplePlay UK number","id":"THES57603"},"number":"Ppuk 1423"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-05","recordCreationDate":"2004-10-08","availableToBook":true}}