{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1058588"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1058588/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2012FV7824/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2012FV7824/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2012FV7824","copyright":"©Victoria and Albert Museum, London/John Thomson","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1058588/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1058588","accessionNumber":"PH.328-1982","objectType":"Photograph","titles":[{"title":"The Independent Shoe Black","type":"assigned by artist"}],"summaryDescription":"","physicalDescription":"Photograph of a boy kneeling in the street polishing the shoe of a man. The man stands, looking down, resting his foot on a box by the boy's knees.","artistMakerPerson":[{"name":{"text":"John Thomson","id":"A8914"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Woodburytype","categories":[{"text":"Scotland","id":"THES262877"},{"text":"Europeana Fashion Project","id":"THES265804"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2012FV7824"],"imageResolution":"high","galleryLocations":[{"current":{"text":"122C","id":"THES49223"},"free":"","case":"CA2","shelf":"14","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1877-78","earliest":"1877-01-01","latest":"1878-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Mrs D. Crisp","dimensions":[{"dimension":"Height","value":"116","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Width","value":"89","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Height","value":"179","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"128","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"The Independant Shoe Black","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Object Type \r\nThe photographer John Thomson (1837-1921) used the 'Woodburytype' process patented in 1864 for the images in Street Life in London, including this photograph. This was a type of photomechanical reproduction using pigmented gelatin, usually of a rich purple-brown colour. The process was complicated but remained popular until about 1900 because of the high quality and permanence of the finished images.\r\nSubject Depicted \r\nThere was division and competition among boot-blacks (shoe-polishers) in the 19th century. They either worked independently or joined organisations known as the 'Boot-blacking Brigades'. The Boot-blacking Brigade movement was started in 1851 with 36 boys and grew to 385 members by the time this photograph was taken. The independent boot-blacks were often treated severely by the police, especially if they did not have a licence. The police would move along the boot-black, and might kick his box of polish and tools into the road where they would be broken by passing carriages. The boy shown in the photograph had served in the Boot-blacking Brigades before working independently. He planned to join the navy to escape life on the streets.\r\nReal or Posed? \r\nThe people in the pictures were arranged or posed by Thomson to form interesting compositions. However, the results were often naturalistic because the subjects and surroundings were always authentic.\r\n","historicalContext":"","briefDescription":"19thC; Thomson John, The Independent Shoe Black, Street life in London","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"london","id":"x28980"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"PHOTOGRAPHS FROM 'STREET LIFE IN LONDON'<br>\r\nThese photographs were first published in 12 instalments in 1877-1878 in a series entitled 'Street Life in London'. John Thomson had earlier photographed in China and recognized London as a remarkable new subject. Together with journalist Adolphe Smith he wrote commentaries on each image. 'Street Life' is among the earliest and most evocative examples of social documentary photography.  ","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["PH.328-1982"],"accessionNumberNum":"328","accessionNumberPrefix":"PH","accessionYear":1982,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-11-18","recordCreationDate":"2009-06-30","availableToBook":false}}