{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1056962"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1056962/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AL4510/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AL4510/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AL4510","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1056962/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1056962","accessionNumber":"PH.669-1889","objectType":"Photograph","titles":[],"summaryDescription":"<b>Object Type</b>\r\nThis sequence of photographs is one plate out of 781 that form  Eadweard Muybridge's series Animal Locomotion , published by the  University of Pennsylvania, USA, in 1887.\r\n\r\n<b>Ownership &amp; Use</b>\r\nThe South Kensington Museum (later the V&amp;A) subscribed to  Animal Locomotion  at the time it was produced. Subscribers  guaranteed an initial number of sales of an expensive work, thus  ensuring that a publication was viable before production began.  They included scientists and artists, as well as museums.\r\n\r\n<b>People</b>\r\nEadweard Muybridge was the name adopted by the photographer  Edward James Muggeridge (1830-1904). He was of British origin  but lived and worked mostly in California, USA. He was already  well known for his landscape views of the American West before  making his famous series Animal Locomotion .  He is also  remembered today for his eventful personal life: in 1874 he shot  dead the lover of his wife, was arrested, charged, imprisoned,  brought to trial and finally acquitted.\r\n\r\n<b>Materials &amp; Making</b>\r\nExposures were made in rapid succession by means of threads  attached to cameras placed about half a meter apart. The camera  shutter was activated when the horse broke the thread while  going past.","physicalDescription":"","artistMakerPerson":[{"name":{"text":"Muybridge, Eadweard","id":"A8683"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"","id":""}],"materialsAndTechniques":"","categories":[{"text":"Photographic Studies","id":"THES283122"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AL4510"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLf","id":"THES49656"},"free":"","case":"X","shelf":"326","box":"H"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[{"date":{"text":"1887","earliest":"1887-01-01","latest":"1887-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Length","value":"32.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"26","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph by Eadweard Muybridge, Woman jumping a hurdle (from Animal Locomotion), collotype, 1887","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Gallery 100, 2016-17:</b>\n\nEadweard Muybridge (1830–1904)\r\n‘Man Performing Acrobatics’, ‘Woman Jumping a Hurdle’, ‘Man Performing Contortions’, ‘Infantile Paralysis’\r\nFrom the series ‘Animal Locomotion’\r\n1887\n\r\nEadweard Muybridge became known for his split-second studies of the motion of animals and humans. He developed a technique involving 12 cameras to capture each stage of his subjects’ movement, anticipating the invention of cinema. Muybridge’s systematic images include bodies pushed to extremes, either through necessity or choice.\n\r\nCollotypes\r\nMuseum nos. Ph.1026, 669, 1024, 1053-1889","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["PH.669-1889"],"accessionNumberNum":"669","accessionNumberPrefix":"PH","accessionYear":1889,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-05-02","recordCreationDate":"2009-06-30","availableToBook":false}}