{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1040790"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1040790/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2023NN7142/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2023NN7142/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2023NN7142","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AY0303","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1040790/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1040790","accessionNumber":"E.1783-1920","objectType":"Print","titles":[{"title":"Golden Legend","type":"manufacturer's title"},{"title":"Adam and Eve in Eden","type":"generic title"}],"summaryDescription":"<b>Object Type</b><br>This illustration was one of two designed by Edward Burne-Jones and wood-engraved by W.H. Hooper for this book. During the 19th century it was usual for the artist to make a drawing, which was photographically transferred to a block of boxwood for a professional engraver to cut. Burne-Jones drawings were sometimes touched up on the photograph by Charles Fairfax Murray before cutting to prevent loss of detail.<br><br>\r\n\r\n<b>Design & Designing</b><br>William Morris set up the Kelmscott Press in 1891. William Morris was a key figure in the Arts and Crafts Movement and central to the Pre-Raphaelite artistic circle. Inspired by medieval illuminated manuscripts and early printed books, he set up the Kelmscott Press in order to meet his aesthetic ideal of integrated design, in particular unified illustration and text. Morris himself carefully designed initial letters, borders and typefaces - the typeface designed for this book was named Golden - as well as commissioning illustrations from artists such as the leading Pre-Raphaelite painter Edward Burne-Jones for books printed by the Kelmscott Press. <br><br>\r\n\r\n<b>People</b><br>Burne-Jones first met William Morris when they were students in Oxford. Although principally a painter, Burne-Jones provided a number of designs for Morris' company, Morris, Marshall, Faulkner & Co., and this collaboration continued when Morris set up the Kelmscott Press and Burne-Jones illustrated a number of these books.","physicalDescription":"Wood-engraving showing Adam and Eve standing before a tree in a walled garden, with trees and mountains behind and the Archangel Michael standing to the left. The image is surrounded by a foliate decorative border.","artistMakerPerson":[{"name":{"text":"Morris, William","id":"A8676"},"association":{"text":"designer","id":"x36960"},"note":""},{"name":{"text":"Burne-Jones, Edward Coley (Sir)","id":"A8203"},"association":{"text":"artist","id":"AAT25103"},"note":""},{"name":{"text":"Hooper, W. H.","id":"A9585"},"association":{"text":"engraver","id":"x30813"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Kelmscott Press","id":"A9584"},"association":{"text":"printer","id":"AAT25732"},"note":""},{"name":{"text":"Bernard Quaritch","id":"A31354"},"association":{"text":"publisher","id":"x32600"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"ink","id":"AAT187371"},{"text":"paper","id":"x30308"}],"techniques":[{"text":"wood-engraving","id":"AAT53303"}],"materialsAndTechniques":"Wood-engraving in ink on paper","categories":[{"text":"Prints","id":"THES48903"},{"text":"Illustration","id":"THES48938"},{"text":"Books","id":"THES48986"}],"styles":[{"text":"Arts and Crafts","id":"AAT21205"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2023NN7142","2006AY0303"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"I","shelf":"110","box":"B"}],"partTypes":[[{"text":"prints","id":"AAT41273"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1892","earliest":"1892-01-01","latest":"1892-12-31"},"association":{"text":"published","id":"x30682"},"note":""}],"associatedObjects":[{"object":{"text":"E.1782-1920","id":"O1042348"},"association":"Duplicate"}],"creditLine":"","dimensions":[{"dimension":"Height","value":"39.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"28.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"","value":"","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"","value":"","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"","value":"","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Sir Edward Coley Burne-Jones. Adam and Eve in Eden. Illustration to 'The Golden Legend' printed by the Kelmscott Press, 1892. Wood-engraved by W. H. Hooper from the design by Burne-Jones with border design by William Morris.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Voragine, Jacobus de. <u>The Golden Legend</u>. Translated by William Caxton and edited by F.S. Ellis. London, Bernard Quaritch, 3 November 1892, Vol. I, page 104."},{"reference":{"text":"","id":""},"details":"","free":"Peterson, William S. <u>Kelmscott Press: a History of William Morris's Typographical Adventure</u>. Oxford, Clarendon Press, 1989."},{"reference":{"text":"","id":""},"details":"","free":"<u>A note by William Morris on his aims in founding the Kelmscott Press, together with a short description of the press by S.C. Cockerell, & an annotated list of the books printed thereat</u>. Hammersmith, Kelmscott Press, 1898."},{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria and Albert Museum, Department of Engraving, Illustration and Design & Department of Paintings, Accessions 1920</u>, London: HMSO, 1922."}],"production":"","productionType":{"text":"Proof","id":"THES48870"},"contentDescription":"","contentPlaces":[{"text":"Garden of Eden","id":"x37814"}],"associatedPlaces":[],"contentPerson":[{"text":"Adam and Eve","id":"N4430"},{"text":"Michael (Archangel)","id":"N899"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"trees","id":"AAT132410"},{"text":"mountains","id":"AAT8795"},{"text":"walled garden","id":"AAT8129"},{"text":"foliation (pattern)","id":"AAT165104"}],"contentConcepts":[],"contentLiteraryRefs":["<i>The Golden Legend</i>"],"galleryLabels":[{"text":"Morris took issue with trade wood engravers mechanically imitating artists’ drawings, and with artists for providing drawings that were ‘a thicket of unnatural difficulties’. This dissatisfaction led Morris and his friends to undertake the engraving for their book illustrations themselves. These wood engravings feature some white line, but they were cut to resemble medieval wood cuts.","date":{"text":"August 2019","earliest":"2019-08-01","latest":"2019-08-31"}}],"partNumbers":["E.1783-1920"],"accessionNumberNum":"1783","accessionNumberPrefix":"E","accessionYear":1920,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-04-24","recordCreationDate":"2009-06-30","availableToBook":false}}