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Initially under the influence of his brother-in-law Francis Seymour Haden, a pioneer of the 'etching revival', he began a series of superbly observed and finely detailed views of the River Thames with its shipping, thriving wharves and picturesque characters.","physicalDescription":"Etching by James Whistler, ‘Limehouse’, from the Thames Set. Etched 1859. Early impression. In addition to early impressions the plate was printed and issued in 1871 as one of the ‘Sixteen Etchings of Scenes on the Thames, and Other Subjects,’ by Ellis and Green, 32 King Street, Covent Garden, in editions of one hundred. Signed and dated by the artist in plate. View of the Thames and warehouses at Limehouse. In the right foreground, cargo being unloaded from a barge into a warehouse on the quayside. 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Etched 1859.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Wedmore, Frederick. <u>Whistler's Etchings, A Study and a Catalogue</u>. London: Colnaghi & Co, 1899. No.37, 1st state."},{"reference":{"text":"","id":""},"details":"","free":"Kennedy, Edward G. <u>The Etched Work of Whistler</u>. San Francisco: Alan Wofsy Fine Arts, 1978. 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