{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1036584"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1036584/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2018LG9944/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2018LG9944/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2018LG9944","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KY8345","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1036584","accessionNumber":"CIRC.266-1958","objectType":"Drawing","titles":[{"title":"Theseus","type":"series title"}],"summaryDescription":"","physicalDescription":"Pencil drawing depicting a reclining male figure with a standing figure behind and a seated figure in front, from a set of four studies for the painting 'Theseus'.  An alternative title for the painting is 'Interior at Minos'.","artistMakerPerson":[{"name":{"text":"Keith Vaughan","id":"A7018"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"pencil","id":"x30347"}],"techniques":[{"text":"drawing","id":"AAT54196"}],"materialsAndTechniques":"Pencil drawing ","categories":[{"text":"Drawings","id":"THES48966"},{"text":"LGBTQ","id":"THES266921"},{"text":"Gender and Sexuality","id":"THES48940"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2018LG9944","2018KY8345"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLH (VA)","id":"THES49654"},"free":"","case":"PD","shelf":"150","box":"A"}],"partTypes":[[{"text":"drawings","id":"AAT33973"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1950","earliest":"1950-01-01","latest":"1950-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"3.5","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":"Taken from Departmental Circulation Register 1958"},{"dimension":"Width","value":"4.875","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":"Taken from Departmental Circulation Register 1958"}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Drawing by Keith Vaughan: study for final composition, from a set of 4 studies for a painting entitled 'Theseus'.  Great Britain, 1950.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Taken from Departmental Circulation Register 1958"},{"reference":{"text":"","id":""},"details":"","free":"The following excerpts are from the GLBTQ archive entry for Keith Vaughan, written by Shaun Cole, 2002:\r\n\r\n\"A painter of figures and landscapes in oils and gouache, British artist Keith Vaughan specialized in the depiction of male nudes in landscape.  Vaughan was above all else enthralled by the male human body, which, as Bernard Denvir observed in the catalogue of an exhibition held at Birmingham City Museum and Art Gallery in 1981, \"assumed in his work an importance it had never known before in the history of British painting.\"\r\nVaughan's paintings depicted \"Man,\" often naked and usually too indistinct to identify as individual portraits, in relation to his landscape, his environment, his space. Implicit in much of his work is man as a homosexual in opposition to his fellow man and a hostile world. The work is that of someone who felt himself to be an outsider, looking at situations and relationships in which he cannot participate.  \r\nAlthough the tone of the drawings altered during his career, and range from the tender to the erotic, they are free of the inhibitions that sometimes appear in his paintings intended for exhibition. They reveal more fully his love for and obsession with the young male body.\"\r\n"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["CIRC.266-1958"],"accessionNumberNum":"266","accessionNumberPrefix":"CIRC","accessionYear":1958,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-15","recordCreationDate":"2009-06-30","availableToBook":false}}