{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1036078"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1036078/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2024PA7619/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2024PA7619/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2024PA7619","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1036078","accessionNumber":"CIRC.324-1939","objectType":"Print","titles":[{"title":"Stream","type":"assigned by artist"}],"summaryDescription":"","physicalDescription":"Abstract composition of swirling forms","artistMakerPerson":[{"name":{"text":"Phillips, Helen","id":"AUTH351751"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"","id":""},"association":{"text":"","id":""},"note":""}],"artistMakerPeople":[],"materials":[{"text":"resin","id":"AAT12882"},{"text":"zinc","id":"AAT11037"}],"techniques":[{"text":"soft-ground etching","id":"AAT53251"}],"materialsAndTechniques":"Burin and silk through soft ground etching print on buff laid paper, mounted on dark green board","categories":[{"text":"Prints","id":"THES48903"},{"text":"Woman Artist","id":"THES387590"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2024PA7619"],"imageResolution":"low","galleryLocations":[{"current":{"text":"SHLN","id":"THES49063"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"print","id":"AAT41273"}],[{"text":"soft-ground etching","id":"AAT53251"}]],"contentWarnings":[{"apprise":"No","note":""}],"placesOfOrigin":[{"place":{"text":"Paris","id":"x29068"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1938","earliest":"1938-01-01","latest":"1938-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"292.1","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"paper","note":"Taken from Departmental Circulation Register 1939"},{"dimension":"Width","value":"193.675","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"paper","note":"Taken from Departmental Circulation Register 1939"},{"dimension":"Height","value":"136","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Width","value":"105","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Height","value":"534","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"mount","note":""},{"dimension":"Width","value":"381","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"mount","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Helen Phillips","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Signed in pencil, lower right"}],"objectHistory":"","historicalContext":"","briefDescription":"Etching, soft-ground; Stream, by Helen Phillips, 1938.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Taken from Departmental Circulation Register 1939"},{"reference":{"text":"","id":""},"details":"","free":"The following biographical reference is from 'The Women of Atelier 17: Modernist Printmaking in Midcentury' by Christina Weyl, 2019:\r\n\r\nHelen Phillips (1913-1995) 'had a banner year in 1936: she won a purchase prize from the San Francisco Museum of Art (now SFMOMA) for her stone sculpture Young Girl and received the Phelan Traveling Fellowship from the San Francisco Art Association, which provided $2,000 for travel abroad. She spent three years in Paris-summer 1936 until the outbreak of war in 1939-where she interacted with the surrealists, discovered Atelier 17, and met her future husband, Stanley William Hayter. Phillips was attracted to the sculptural qualities of engraving and liked that printmaking allowed her to experiment more quickly than sculpture.<sup>2  \n...\n</sup>Phillips and Hayter divorced in 1972, and she made sculpture well into the 1970s, but shifted to working in wire, plaster, and wax after a severe back injury hampered her in the late 1960s.'\n\n<sup>2.</sup> Helen Phillips, interview by David Cohen, May 4, 1989, Helen Phillips papers, Paris.\n"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["CIRC.324-1939"],"accessionNumberNum":"324","accessionNumberPrefix":"CIRC","accessionYear":1939,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-04-01","recordCreationDate":"2009-06-30","availableToBook":false}}