{"meta":{"version":"2.0","images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2010EL5824/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2010EL5824/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2010EL5824","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1034350/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1034350","accessionNumber":"CIRC.638-1968","objectType":"Print","titles":[{"title":"The Palaces","type":"assigned by artist"},{"title":"Venice, a Series of Twelve Etchings","type":"series title"}],"summaryDescription":"In 1879 Whistler was commissioned by the Fine Art Society to make a set of etchings of Venice. This is a printmaking technique in which acid is used to bite lines in a metal plate. These lines are next filled with ink, which is then printed on to paper.\r\n\r\nWhistler was one of the first artists to put his pencilled signature to a print. This practice grew up during the second half of the 19th century in order to identify works printed from surfaces made by the artist him- or herself, as opposed to reproductions of works originally created in other media.","physicalDescription":"Etching and drypoint by James McNeill Whistler, ‘The Palaces’, from ‘Venice, a Series of Twelve Etchings’, published by the Fine Art Society, London, 1880. Also known as ‘The First Venice Set’. View of palaces on a canal in Venetian Gothic architectural style, with gondolas moored at the water’s edge.","artistMakerPerson":[{"name":{"text":"Whistler","id":"A8983"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"},{"text":"printing ink","id":"AAT187371"}],"techniques":[{"text":"etching (printing process)","id":"AAT53241"},{"text":"drypoint","id":"AAT53228"}],"materialsAndTechniques":"Etching and drypoint on paper","categories":[{"text":"Prints","id":"THES48903"},{"text":"Printmaking techniques","id":"THES252987"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2010EL5824"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC","id":"THES49171"},"free":"","case":"MB2A","shelf":"DR78","box":"LOANS"}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"No","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"published","id":"x30682"},"note":""}],"productionDates":[{"date":{"text":"1880","earliest":"1880-01-01","latest":"1880-12-31"},"association":{"text":"published","id":"x30682"},"note":""}],"associatedObjects":[{"object":{"text":"CIRC.168-1965","id":"O124326"},"association":""},{"object":{"text":"CIRC.636-1968","id":"O1034362"},"association":""},{"object":{"text":"CIRC.639-1968","id":"O1034345"},"association":""},{"object":{"text":"CIRC.640-1968","id":"O1034340"},"association":""},{"object":{"text":"E.3042-1931","id":"O70272"},"association":""}],"creditLine":"Acquired from The University of Glasgow Art Collections, The Hunterian Museum, University of Glasgow in 1968","dimensions":[{"dimension":"Height","value":"25.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"plate","note":""},{"dimension":"Width","value":"36","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"plate","note":""},{"dimension":"Height","value":"29.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"paper","note":""},{"dimension":"Width","value":"40.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"paper","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"From Venice, a Series of Twelve Etchings, published by the Fine Art Society, London, 1880. Also known as ‘The First Venice Set’. W.153; K.187, 3rd state.","historicalContext":"","briefDescription":"Etching and drypoint by James McNeill Whistler. The Palaces, plate from Venice, a Series of Twelve Etchings, published by the Fine Art Society, London, 1880.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Wedmore, Frederick. Whistler's Etchings, A Study and a Catalogue. London: Colnaghi & Co, 1899. No.153."},{"reference":{"text":"","id":""},"details":"","free":"Kennedy, Edward G. The Etched Work of Whistler. San Francisco: Alan Wofsy Fine Arts, 1978. No.187, 3rd state."},{"reference":{"text":"","id":""},"details":"","free":"Taken from Departmental Circulation Register 1968"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Venice","id":"x29237"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"Palaces","id":"AAT5734"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["CIRC.638-1968"],"accessionNumberNum":"638","accessionNumberPrefix":"CIRC","accessionYear":1968,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2024-03-19","recordCreationDate":"2009-06-30"}}