{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O103100"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O103100/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AE2749/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AE2749/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AE2749","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2019ME7224","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O103100/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O103100","accessionNumber":"23-1866","objectType":"Plaque","titles":[],"summaryDescription":"This plaque is part of a set showing the Four Evangelists (Matthew, Mark, Luke and John) which probably came from a larger object such as a crystal altar cross, now lost. St Matthew was the author of one of the Gospels and is often represented as a winged man or an angel. On this plaque he is shown as a winged figure writing in a book. A winged man came to represent St. Matthew, because his book opens with the human descendants of Jesus and emphasizes Jesus's descent from King David. \r\n\r\nThe association of the four Evangelists with living creatures comes from the books of Ezekiel and Revelation. In the book of Revelation, St John sees four creatures surrounding the throne of Heaven: <font -i>\"...and round about the throne were four beasts full of eyes before and behind. And the first beast was like a lion, and the second beast was like a calf, and the third beast had a face as a man, and the fourth beast was like a flying eagle.\"</font>","physicalDescription":"Circular silver plaque embossed with a relief figure of St Matthew. A small pin protrudes from the back.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Silver","id":"AAT11029"}],"techniques":[{"text":"Embossing","id":"AAT53826"}],"materialsAndTechniques":"Embossed silver","categories":[{"text":"Metalwork","id":"THES48920"},{"text":"Religion","id":"THES48900"},{"text":"Christianity","id":"THES48978"}],"styles":[],"collectionCode":{"text":"MET","id":"THES48599"},"images":["2006AE2749","2019ME7224"],"imageResolution":"high","galleryLocations":[{"current":{"text":"83","id":"THES49711"},"free":"","case":"CA1","shelf":"","box":""}],"partTypes":[[{"text":"Plaque","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Salamanca","id":"x33120"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1550","earliest":"1545-01-01","latest":"1554-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"24-1866","id":"O103118"},"association":""},{"object":{"text":"25-1866","id":"O103122"},"association":""},{"object":{"text":"26-1866","id":"O103124"},"association":""}],"creditLine":"","dimensions":[{"dimension":"Diameter","value":"3.50","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Height","value":"1.50","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"S.? above an ox","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Town mark for Salamanca"}],"objectHistory":"This set of plaques comes from a larger object, possibly a crystal altar cross.","historicalContext":"Saints and Symbols\r\nLike most religions, Christianity has a rich language of images and symbols. This iconography would have been clearly understood in the past but it may be less familiar to modern eyes. \r\n\r\nThough often decorative, the symbols used on religious metalwork also refer to the function and significance of the objects. The contemplation of religious motifs can draw   believers into a deeper understanding of their faith. Complex theological themes can be represented in a visual form. A chalice, for example, might be adorned with the tools used in the Crucifixion (the 'Instruments of the Passion') to direct the viewer's mind towards Christ's sacrifice and his death on the cross.\r\n\r\nThe use of images has caused controversy throughout Christian history. While supporters held that imagery glorified God and helped believers understand their faith better, critics attacked its use as superstition and idolatry.\r\n\r\nSaints\r\nChristians venerate saints as men and women who, through the holiness of their lives, became especially close to God. The saints include martyrs who suffered and died for their faith as well as great teachers and preachers. Their lives provide an example and inspiration for the faithful. Roman Catholics also believe that saints can intercede on their behalf with God. In Christian iconography, saints are usually depicted with a distinctive object or 'attribute' associated with their martyrdom or works. For example, St Bartholomew, who was skinned alive, holds a flaying knife, and St George is shown with a dragon.","briefDescription":"Silver plaque showing St. Matthew, Spain, around 1550.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<font -u>The Golden Age of Hispanic Silver: 1400-1660</font>, Charles Oman, HMSO, 1968."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"St. Matthew","id":"N3599"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Figure of a Dove\r\nIn the Gospel accounts of Christ's baptism, the Holy Spirit descended from heaven in the form of a dove. The dove therefore has always been a symbol for the Holy Spirit and the sacrament of baptism. \r\n\r\nThis dove, which perhaps came from a church in Surrey, is cast and exceptionally heavy. It may have been attached to the cover of a baptismal font, though similar doves in brass are also found on chandeliers.\r\n\r\nEngland, 1700-30\r\nPewter\r\nMuseum no. M.561-1926. Croft Lyons Bequest","date":{"text":"22/11/2005","earliest":"2005-11-22","latest":"2005-11-22"}}],"partNumbers":["23-1866"],"accessionNumberNum":"23","accessionNumberPrefix":"","accessionYear":1866,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2016JB5186"],"recordModificationDate":"2025-08-14","recordCreationDate":"2004-09-02","availableToBook":false}}