{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O103099"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O103099/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2025PJ5570/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2025PJ5570/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2025PJ5570","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2025PJ5569","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BA1263","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O103099","accessionNumber":"E.3169-2004","objectType":"Print","titles":[{"title":"September","type":"assigned by artist"}],"summaryDescription":"Paul Drury (1903-1987) was an important artist and printmaker whose work played a decisive part in the etching revival of the late 1920s. He was a leading member of the generation of etchers trained at Goldsmith's College and influenced by F.L.M. Griggs. His early works, such as this, reflect the intense mystic spirit of Samuel Palmer's Shoreham period landscapes.","physicalDescription":"A print showing an oasthouse and a cottage. Birds are flying in the sky. Two women are picking apples on the right. Signed and dated by the artist.","artistMakerPerson":[{"name":{"text":"Drury, Paul","id":"A13466"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"printer's ink","id":"AAT187371"},{"text":"paper (fiber product)","id":"AAT14109"}],"techniques":[{"text":"etching (printing process)","id":"AAT53241"}],"materialsAndTechniques":"Etching on unevenly cut laid paper","categories":[{"text":"Prints","id":"THES48903"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2025PJ5570","2025PJ5569","2006BA1263"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLC","id":"THES49171"},"free":"","case":"MB2A","shelf":"DR77","box":""}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1928","earliest":"1928-01-01","latest":"1928-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Purchased through the Julie and Robert Breckman Print Fund","dimensions":[{"dimension":"Height","value":"10.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"plate","note":""},{"dimension":"Width","value":"13","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"plate","note":""},{"dimension":"Height","value":"140","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"190","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Paul Drury 28 fecit imp","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Signed in pencil, lower right"},{"content":"6th state no. 2","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"inscribed in pencil, lower left"}],"objectHistory":"","historicalContext":"","briefDescription":"'September', Paul Drury, etching, British, 1928.","bibliographicReferences":[],"production":"10th state","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"cottages","id":"AAT5500"},{"text":"Apple trees","id":"x31598"},{"text":"malthouses","id":"AAT4950"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Drury was a key figure in the last phase of the so-called ‘Etching Revival’ in the 1920s. He was also part of a group of young artists influenced by the visionary landscapes of Samuel Palmer (1805–81). This print, generally considered to be Drury’s masterpiece in the genre, is a direct homage to Palmer’s scenes of Shoreham, Kent.\r\n","date":{"text":"11/09/2017","earliest":"2017-09-11","latest":"2017-09-11"}}],"partNumbers":["E.3169-2004"],"accessionNumberNum":"3169","accessionNumberPrefix":"E","accessionYear":2004,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-04-16","recordCreationDate":"2004-09-02","availableToBook":false}}