{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O103093"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O103093/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2022NF1322/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2022NF1322/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2022NF1322","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2022NF1323","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AD0502","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KK8233","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2019LY9591","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O103093/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O103093","accessionNumber":"7582-1861","objectType":"Relief","titles":[{"title":"Virgin and Child","type":"generic title"}],"summaryDescription":"Acquired in 1861 with alternative ascriptions to Donatello and Desiderio da Settignano this sandstone Virgin and Child is possibly the work of Fantacchiotti who was the most sophisticated exponent of the revived Renaissance sculptural style.\r\nThe relief was for many years the most well-loved Madonna in the Museum and more plaster casts of it were sold than of any other sculpture in the collection. It is one of the most beautiful forgeries of a Renaissance Madonna ever made.","physicalDescription":"Arched relief in grey carved sandstone relief depicting the Virgin and Child. The Virgin, bareheaded, is seen half-length behind a parapet on which the Child is seated to her right, turning his head and holding her hand. Below, in a frieze below, a tiny winged boy and girl supporting a wreath","artistMakerPerson":[{"name":{"text":"Desiderio da Settignano","id":"A2380"},"association":{"text":"style of","id":"x44460"},"note":"possibly"},{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"maker","id":"x40240"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"pietra serena","id":"THES392607"}],"techniques":[{"text":"carving","id":"AAT53149"},{"text":"low relief","id":"AAT53623"}],"materialsAndTechniques":"Carved black sandstone (pietra serena) in low relief","categories":[{"text":"Sculpture","id":"THES48896"},{"text":"Fakes & forgeries","id":"THES48958"},{"text":"Christianity","id":"THES48978"},{"text":"Religion","id":"THES48900"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2022NF1322","2022NF1323","2006AD0502","2017KK8233","2019LY9591"],"imageResolution":"high","galleryLocations":[{"current":{"text":"002","id":"THES395158"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Relief","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Florence (city)","id":"x28848"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1850 - 1857","earliest":"1845-01-01","latest":"1857-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"64.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"37.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Acquired in 1861 with alternative ascriptions to Donatello and Desiderio da Settignano, the relief was for many years the most well-loved Madonna in the Museum and more plaster casts of it were sold than of any other sculpture in the collection. It is one of the most beautiful forgeries of a Renaissance Madonna ever made, and is possibly the work of Fantacchiotti who was the most sophisticated exponent of the revived Renaissance sculptural style.\r\nPurchased from the Gilgi Collection, 80l.","historicalContext":"","briefDescription":"Panel-relief, 'Virgin and Child', carved <i>pietra serena</i>  in low relief, style of Desiderio da Settignano, Italy (Florence), probably ca. 1850-1857 ","bibliographicReferences":[{"reference":{"text":"Motture, Peta, ed., <u>Donatello: Sculpting the Renaissance</u>, London: V&A Publishing, 2023.","id":"AUTH394323"},"details":"p. 255, cat. 6.24, entry by Whitney Kerr-Lewis, ","free":"Attribution: style of Desiderio da Settignano"},{"reference":{"text":"","id":""},"details":"","free":"Bormand, Marc; Paolozzi Strozzi, Beatrice; Penny, Nicolas. <u>Desiderio da Settignano. Sculptor of Renaissance Florence</u>. Exhibiton Catalogue, Musée du Louvre, Paris; Museo Nazionale del Bargello, Florence; National Art Gallery, Washington, 2007, p. 197, fig. 110"},{"reference":{"text":"","id":""},"details":"","free":"Natale, M and Ritschard, C: <u>Falsifications Manipulations Pastiches L'art d'imiter - Images de la Renaissance italienne au Musée d'art et d'histoire</u>, Geneva, 1997, pp. 130-142, No.s 2-9, fig. 1"},{"reference":{"text":"","id":""},"details":"","free":"Penny, Nicholas: <u>Catalogue of European Sculpture in the Ashmolean Museum, 1540 to the Present Day</u>, Vol. I, Italian, Oxford, 1992, p. 30-31"},{"reference":{"text":"Jones, Mark (ed.), <i>Fake? : The Art of Deception</i>, Berkeley, University of California Press, 1990","id":"AUTH351330"},"details":"","free":""},{"reference":{"text":"","id":""},"details":"","free":"Pope-Hennessy, John. <u>Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume II: Text. Sixteenth to Twentieth Century</u>. London: Her Majesty's Stationery Office, 1964, pp. 691, 692"},{"reference":{"text":"","id":""},"details":"","free":"Maclagan, Eric and Longhurst, Margaret H. <u>Catalogue of Italian Sculpture. Text</u>. London: Victoria and Albert Museum, 1932, p. 43"},{"reference":{"text":"","id":""},"details":"","free":"Inventory of Art Objects Acquired in the Year 1861 <u>In</u>: <u>Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I</u>. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 28"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Mary (Virgin Mary)","id":"N480"},{"text":"Jesus Christ","id":"N1515"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["7582-1861"],"accessionNumberNum":"7582","accessionNumberPrefix":"","accessionYear":1861,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2022NF0624"],"recordModificationDate":"2026-01-07","recordCreationDate":"2004-09-02","availableToBook":false}}