{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1030229"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1030229/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2023NP5746/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2023NP5746/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2023NP5746","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2019LX2126","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1030229/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1030229","accessionNumber":"P.104-1920","objectType":"Watercolour","titles":[{"title":"A Pool and Scottish River","type":"popular title"},{"title":"A Pool and Devon River","type":"popular title"}],"summaryDescription":"Although Lewis later became famous for his orientalist paintings, he had begun as painter of animals, sometimes combining these with landscape subjects. John's father Frederick had specialised in river views in Devon, trying to represent accurately in his paintings and etchings the tangled banks, rocks and pools. It seems that this aspect of the landscape also fascinated his son John, as several of his scenes of fishing have intricately observed riverbanks as part of the composition. When this painting was acquired in 1920, it was assumed that its subject was a Scottish river, yet it now looks similar to other Devon drawings that the younger Lewis had done on the Tamar and other rivers in the Southwest.","physicalDescription":"A watercolour of a shallow river with a pool and boulders","artistMakerPerson":[{"name":{"text":"Lewis, John Frederick (RA POWCS)","id":"A8614"},"association":{"text":"Painter","id":"x38307"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"watercolour (paint)","id":"AAT15045"}],"techniques":[{"text":"watercolour painting","id":"THES250889"}],"materialsAndTechniques":"Watercolour","categories":[{"text":"Landscapes","id":"THES250800"},{"text":"Scotland","id":"THES262877"},{"text":"Watercolours","id":"THES277714"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2023NP5746","2019LX2126"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLH (VA)","id":"THES49654"},"free":"","case":"WD","shelf":"39","box":"A"}],"partTypes":[[{"text":"watercolour (painting)","id":"AAT78925"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Britain","id":"x32019"},"association":{"text":"Painted","id":"x30138"},"note":""}],"productionDates":[{"date":{"text":"1832","earliest":"1832-01-01","latest":"1832-12-31"},"association":{"text":"Painted","id":"x30138"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"15.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"24.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Watercolour, A Pool and Scottish River, by John Frederick  Lewis, 1832.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"rivers","id":"AAT8707"},{"text":"pools","id":"AAT8692"},{"text":"landscapes","id":"AAT15636"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"John Frederick Lewis 1804/5-1876\nA Pool and Devon River\n1823\n\nJohn's father Frederick had specialized in river views in Devon, trying to represent accurately the tangled banks, rocks and pools. It seems that this aspect of the landscape also fascinated John, as several of his fishing scenes include carefully observed river formations.\n\n\n\nWatercolour\n\nPurchased 1920\nMuseum no. P.104-1920","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["P.104-1920"],"accessionNumberNum":"104","accessionNumberPrefix":"P","accessionYear":1920,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-15","recordCreationDate":"2009-06-30","availableToBook":false}}