{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O102933"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O102933/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AC9891/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AC9891/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AC9891","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AC9888","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KC9336","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O102933/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O102933","accessionNumber":"6897-1860","objectType":"Triptych","titles":[{"title":"The Passion of Christ and the Book of Genesis","type":"generic title"}],"summaryDescription":"This Triptych is made by an unknown artist in the middle of the 19th century in Germany.\r\n\r\nThe scenes are based on engravings by Martin Schongauer (first recorded 1465, d. 1491). In form however, this triptych does not correspond with any type of object produced around 1500. The crude quality of the carving, peculiar physiognomies, misunderstood draperies and the actual form suggests that it dates from the mid 19th century when Schongauer's prints were becoming increasingly popular in line with the development of the Gothic revival.","physicalDescription":"Pair of carved boxwood wings from a triptych. depicting on the outside four subjects from the Fall in two registers, top: The Temptation of Adam and Eve, and The expulsion from Paradise; bottom: The killing of Abel and Cain is made a fugitive. On the inside are six scenes from Christ's Passion and should be read from the top left: The Agony in the Garden, Christ before Pilate, The Flagellation and top right: The Crowning with Thorns, Ecce Homo, Christ bearing the cross.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"boxwood","id":"AAT12002"},{"text":"oak","id":"AAT12264"}],"techniques":[{"text":"carving","id":"AAT53149"},{"text":"glazing","id":"AAT53914"}],"materialsAndTechniques":"Carved and glazed boxwood and oak","categories":[{"text":"Fakes & forgeries","id":"THES48958"},{"text":"Christianity","id":"THES48978"},{"text":"Sculpture","id":"THES48896"},{"text":"Religion","id":"THES48900"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2006AC9891","2006AC9888","2017KC9336"],"imageResolution":"high","galleryLocations":[{"current":{"text":"004","id":"THES395078"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Triptych","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Germany","id":"x28873"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"mid 19th century","earliest":"1825-01-01","latest":"1875-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"14","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"8.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":"0.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"The scenes are based on engravings by Martin Schongauer (first recorded 1465, d. 1491). In form however, this triptych does not correspond with any type of object produced around 1500. The crude quality of the carving, peculiar physiognomies, misunderstood draperies and the actual form suggests that it dates from the mid 19th century when Schongauer's prints were becoming increasingly popular in line with the development of the Gothic revival.","briefDescription":"Pair of carved boxwood wings from a triptych, depicting scenes from Christ's Passion and the Book of Genesis, Germany, mid 19th century","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Jopek, Norbert: <u>German Sculpture 1430-1540, A Catalogue of the Collection in the Victoria and Albert Museum</u>, London, 2002, Cat. No. 72, pp. 153-154"},{"reference":{"text":"","id":""},"details":"","free":"Inventory of Art Objects Acquired in the Year 1860. <u>In</u>: <u>Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I</u>. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 50"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[{"text":"The Temptation of Adam and Eve","id":"V145"},{"text":"Expulsion out of Paradise","id":"V299"},{"text":"The Agony in the Garden","id":"V136"},{"text":"Christ before Pontias Pilate","id":"V307"},{"text":"The Flagellation","id":"V82"},{"text":"The Crowning with Thorns","id":"V118"},{"text":"Ecce Homo","id":"V83"},{"text":"The Bearing of the Cross","id":"V138"}],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["6897-1860"],"accessionNumberNum":"6897","accessionNumberPrefix":"","accessionYear":1860,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-10-20","recordCreationDate":"2004-08-31","availableToBook":true}}