{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1025084"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1025084/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2016JE9946/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2016JE9946/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2016JE9946","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1025084/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1025084","accessionNumber":"E.561-1972","objectType":"Print","titles":[{"title":"November","type":"assigned by artist"},{"title":"Serpentarius","type":"alternative title"}],"summaryDescription":"","physicalDescription":"Eric Ravilious, 'November', wood engraved proof for Lanston Monotype Almanack, 1929","artistMakerPerson":[{"name":{"text":"Ravilious, Eric","id":"A878"},"association":{"text":"made by","id":"AAT251917"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"}],"techniques":[{"text":"wood engraving","id":"AAT53303"}],"materialsAndTechniques":"wood engraving","categories":[{"text":"Prints","id":"THES48903"},{"text":"Astrology","id":"THES277769"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2016JE9946"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC (VA)","id":"THES49171"},"free":"","case":"EW","shelf":"93A","box":""}],"partTypes":[[{"text":"print","id":""}],[{"text":"wood engravings","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"United Kingdom","id":"x29336"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1928","earliest":"1928-01-01","latest":"1928-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"E.1245-1974","id":"O1094113"},"association":""}],"creditLine":"","dimensions":[{"dimension":"Height","value":"10.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"6.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Dimensions taken from <i>Victoria and Albert Museum Department of Prints and Drawings and Department of Paintings Accessions 1972</i>  London: HMSO, 1972.","marksAndInscriptions":[],"objectHistory":"The published version of these engravings is held in the National Art Library at the V&A, and the V&A holds the original printing blocks.","historicalContext":"","briefDescription":"Eric Ravilious, 'November', proof for Lanston Monotype Almanack, 1929","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<i>A Fine Line - Commercial Wood Engraving in Britain</i>, Victoria and Albert Museum, 10 Oct 1994 - 26 Mar 1995"},{"reference":{"text":"","id":""},"details":"","free":"'The engraving shows Serpentarius, the man with a snake who saved lives, hovering over an East Sussex oasthouse that also appears in 'Windstorm'. The constellation formerly known as Serpentarius is now known as Ophiuchus.' Jeremy Greenwood, Ravilious Engravings, The Wood Lea Press, Great Britain, 2008. p.85"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[{"text":"Sussex","id":"x41271"}],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Eric Ravilious (1903-1942)</b>\n\n...\n\nProofs for Lanston Monotype <i>Almanack</i>. 1929\n...\ne) November\nWood engraving\nE.561-1972\n...\n\nEric Ravilious had an unrivalled sense of lively decorative pattern.\nThis partly arose from his mastery of the principle of the reversed\nout image. It entailed an organisation of design where black\nsilhouettes should appear against a white background and white \nagainst a black. This principle was applied even in the small\ncommercial work shown here. In 1935 a contemporary wrote in \nadmiration of the range of his work which included a 'variety of\ndesigns for business and miscellaneous purposes (with all the \nrestrictions this work often implies) which we think will rank\namongst his finest and most spontaneous achievements...'.","date":{"text":"1995","earliest":"1995-01-01","latest":"1995-12-31"}}],"partNumbers":["E.561-1972"],"accessionNumberNum":"561","accessionNumberPrefix":"E","accessionYear":1972,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-05-02","recordCreationDate":"2009-06-30","availableToBook":false}}