{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1025083"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1025083/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2016JF0087/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2016JF0087/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2016JF0087","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1025083/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1025083","accessionNumber":"E.550-1972","objectType":"Print","titles":[{"title":"proof for a bookplate for Gwyneth Lloyd Thomas","type":"generic title"}],"summaryDescription":"","physicalDescription":"Eric Ravilious, wood engraved proof for a bookplate for Gwyneth Lloyd Thomas, 1932","artistMakerPerson":[{"name":{"text":"Ravilious, Eric","id":"A878"},"association":{"text":"made by","id":"AAT251917"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"}],"techniques":[{"text":"wood engraving","id":"AAT53303"}],"materialsAndTechniques":"wood engraving","categories":[{"text":"Prints","id":"THES48903"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2016JF0087"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC (VA)","id":"THES49171"},"free":"","case":"EW","shelf":"93A","box":""}],"partTypes":[[{"text":"print","id":""}],[{"text":"wood engravings","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"United Kingdom","id":"x29336"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1932","earliest":"1932-01-01","latest":"1932-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"8.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"6.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Dimensions taken from <i>Victoria and Albert Museum Department of Prints and Drawings and Department of Paintings Accessions 1972</i>  London: HMSO, 1972.","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Eric Ravilious, proof for a bookplate for Gwyneth Lloyd Thomas, 1932","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<i>A Fine Line - Commercial Wood Engraving in Britain</i>, Victoria and Albert Museum, 10 Oct 1994 - 26 Mar 1995"},{"reference":{"text":"","id":""},"details":"","free":"'Gwyneth Lloyd Thomas (1899-1978) taught English at Cheltenham Ladies' College where she was a friend of Charlotte Epton. Gwyneth, a Life Fellow of Girton College, Cambridge, became a regular visitor at Brick House, Great Bardfield, after Charlotte married Edward Bawden.'\r\nJeremy Greenwood, Ravilious Engravings, The Wood Lea Press, Great Britain, 2008, p106."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Eric Ravilious (1903-1942)</b>\n\n...\n\nf) Proof for a bookplate for Gwyneth Lloyd Thomas. 1932\nWood engraving\nE.550-1972\n\n...\n\nEric Ravilious had an unrivalled sense of lively decorative pattern.\nThis partly arose from his mastery of the principle of the reversed\nout image. It entailed an organisation of design where black\nsilhouettes should appear against a white background and white \nagainst a black. This principle was applied even in the small\ncommercial work shown here. In 1935 a contemporary wrote in \nadmiration of the range of his work which included a 'variety of\ndesigns for business and miscellaneous purposes (with all the \nrestrictions this work often implies) which we think will rank\namongst his finest and most spontaneous achievements...'.","date":{"text":"1995","earliest":"1995-01-01","latest":"1995-12-31"}}],"partNumbers":["E.550-1972"],"accessionNumberNum":"550","accessionNumberPrefix":"E","accessionYear":1972,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-15","recordCreationDate":"2009-06-30","availableToBook":false}}