{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1024260"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1024260/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BU0818/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BU0818/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2008BU0818","copyright":"©Victoria and Albert Museum, London/Peter Kennard","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1024260/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1024260","accessionNumber":"E.1493-2004","objectType":"Poster","titles":[{"title":"The Firth of Clyde","type":"assigned by artist"}],"summaryDescription":"","physicalDescription":"Photomontage poster in the style of a postcard ","artistMakerPerson":[{"name":{"text":"Peter Kennard","id":"C4552"},"association":{"text":"designer","id":"x36960"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Greater London Council","id":"C4156"},"association":{"text":"issued by","id":"x36339"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"paper","id":"AAT14109"}],"techniques":[{"text":"colour offset","id":"x34962"}],"materialsAndTechniques":"Offset lithograph poster","categories":[{"text":"Posters","id":"THES252963"},{"text":"Scotland","id":"THES262877"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2008BU0818"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC (VA)","id":"THES49171"},"free":"","case":"MB2E","shelf":"LS","box":"2"}],"partTypes":[[{"text":"poster","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1983","earliest":"1983-01-01","latest":"1983-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Gift of the American Friends of the V&A; Gift to the American Friends by Leslie, Judith and Gabri Schreyer and Alice Schreyer Batko","dimensions":[{"dimension":"Height","value":"42.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"29.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"First published in the series 'No Nuclear Weapons' printed by CND/Pluto Press, 1981.  It was used again by the Scottish Campaign for Nuclear Disarmament in 1985 with the following explanatory information printed on the reverse: \n\r\n“Europe’s largest nuclear arsenal is situated on the Firth of Clyde at Faslane, Glen Douglas and the holy loch. Here are based Britain’s 4 Polaris submarines (with a firepower greater than the entire weight of bombs dropped in World War 2) along with 10 American Polaris and 4 American Poseidon submarines.”","historicalContext":"","briefDescription":"\"The Firth of Clyde\", small format photomontage poster by Peter Kennard for the GLC Peace Posters Pack. UK, 1983.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"This poster was one of eleven small format posters issued by the Greater London Council with the series title 'GLC Peace Posters Pack’, designed by Kennard with a foreword by E.P. Thompson.  The first print run of 800 packs were sent out free of charge to various anti-war and anti-nuclear groups, community groups, schools and local authorities around the UK. A report from October 1983 reveals that demand for the posters, commissioned in February of that year, had far exceeded the initial print run. With the GLC receiving about fifty requests per day, a second print run of 2000 were produced to meet popular demand.\nFor further information, see 'Dispatches from an Unofficial War Artist' (Aldershot, Hampshire: Lund Humphries, 2000) and 'Beyond The Campaign for a Popular Culture’: Community Art, Activism and Cultural Democracy in 1980s London', a 2017 doctoral thesis by Hazel A. Atashroo, University of Southampton."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.1493-2004"],"accessionNumberNum":"1493","accessionNumberPrefix":"E","accessionYear":2004,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-10-12","recordCreationDate":"2009-06-30","availableToBook":false}}