{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1019372"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1019372/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2018KW8526/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2018KW8526/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2018KW8526","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018LA0213","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1019372/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1019372","accessionNumber":"5348","objectType":"Drawing","titles":[],"summaryDescription":"Erasmus Hornick (d. 1583) was a Flemish goldsmith, printmaker, and designer. He worked from c. 1555–83 and found increasing success in Augsburg, Nuremberg, and finally in Prague at the court of the Holy Roman Emperor, Rudolf II, alongside many other Flemish, German, and Italian artists. Although his work was in keeping with his contemporaries, Hornick’s work was among the most adventurous of the Mannerist style. \r\n\r\nThese 276 drawings, mostly just in pen, ink and wash, are mostly attributed to Hornick and his coterie, though some have been identified as the work of the famed goldsmith Wenzel Jamnitzer (1507/08–1585) and others as copies of the work of Italian painter Francesco Salviati (1510–63).","physicalDescription":"Design for a salverwith a raised centre for the support of a ewer. The border consists of moulded ornaments, a band of dolphins and a wreath. The concave surface is crowded with two adjoining friezes of river gods, masks, tritins, nymphs and sea monsters.","artistMakerPerson":[{"name":{"text":"Erasmus Hornick","id":"AUTH318846"},"association":{"text":"maker","id":"x40240"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"ink","id":"AAT15012"}],"techniques":[{"text":"drawing","id":"AAT54196"}],"materialsAndTechniques":"Pen, ink, wash, lightly tinted.","categories":[{"text":"Drawings","id":"THES48966"},{"text":"Designs","id":"THES48968"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2018KW8526","2018LA0213"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC (VA)","id":"THES49171"},"free":"","case":"M","shelf":"8","box":"A"}],"partTypes":[[{"text":"drawings","id":"AAT33973"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Antwerp","id":"x28724"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"mid 16th century","earliest":"1525-01-01","latest":"1575-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"403","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"473","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Unidentified watermark."}],"objectHistory":"Hayward attributes this drawing to Hornick's Antwerp phase in the mid-16th century. In this design, Hornick divides the concae depression into two zones in which the inner circle is so arranged as to be seen from the outside while the outer circle is meant to be seen from the inside. The two circles are not sperated and the effect is confusing. Hornick's use of stock marine figures is derived from Salviati directly or through engraved designs by Ducerceau. There is extant a salver (Schatzkammer der Residez, Munich, catalogue number 574) with a similar marine frieze.","historicalContext":"","briefDescription":"Drawing, design of a salver from a set of 276 drawings for silver and goldsmith's work by Erasmus Hornick and other Flemish, German and Italian artists who worked c.1582-3 at the court of Rudolph II in Prague, pen and ink and wash, 16th century","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Silke Reiter, <i>Erasmus Hornick : ein Goldschmied, Radierer und Zeichner des 16. Jahrhunderts</i> (Regensburg: Schnell & Steiner, 2012) "},{"reference":{"text":"","id":""},"details":"","free":"John Hayward, “The Drawings and Engraved Ornament of Erasmus Hornick,” <i>The Burlington Magazine</i>, 110.784 (1968), pp. 383–89"},{"reference":{"text":"","id":""},"details":"","free":"John Hayward, <i>Virtuoso Goldsmiths and the Triumph of Mannerism, 1540-1620</i> (London, Sotheby Parke Bernet, 1976)"},{"reference":{"text":"","id":""},"details":"","free":"John Hayward, \"Mannerist Goldsmiths: I (Italian sources) and some drawings and designs\" <i>Connoisseur</i> April 1962, pp. 157 ff."},{"reference":{"text":"","id":""},"details":"","free":"John Hayward, \"Mannerist Goldsmiths: II France and the School of Fontainebleau. Part 1\" <i>Connoisseur</i> Vol. 152, April 1963, pp. 223ff."},{"reference":{"text":"","id":""},"details":"","free":"John Hayward, \"Mannerist Goldsmiths: II France and the School of Fontainebleau. Part 1\" Part 2. <i>Connoisseur</i> Vol. 153, May 1963, pp. 11 ff."},{"reference":{"text":"","id":""},"details":"","free":"John Hayward, \"The Mannerist Goldsmiths: Germany. Part I. Nürnberg.\" <i>Connoisseur</i> Vol. 164, February 1967, pp. 78 ff. "},{"reference":{"text":"","id":""},"details":"","free":"John Hayward, \"The Mannerist Goldsmiths: Germany. Part II. Wenzel Jamnitzer of Nürnberg.\" <i>Connoisseur</i> Vol. 164, February 1967, pp. 148 ff."},{"reference":{"text":"","id":""},"details":"","free":"John Hayward, \"The Mannerist Goldsmiths: Germany. Part I. Part III. Erasmus Hornick and the Goldsmiths of Augsburg.\" <i>Connoisseur</i> Vol. 164, February 1967, pp. 216 ff."},{"reference":{"text":"","id":""},"details":"","free":"John Hayward, \"The Mannerist Goldsmiths: Germany. Part I. Part IV. The followers of Wenzel Jamnitzer.\" <i>Connoisseur</i> Vol. 165,  May–Aug. 1967, pp. 162 ff."},{"reference":{"text":"","id":""},"details":"","free":"John Hayward, \"The Mannerist Goldsmiths 3: Antwerp. Part I.\" <i>Connoisseur</i> Vol. 156. May–Aug, 1964, pp. 92 ff."},{"reference":{"text":"","id":""},"details":"","free":"John Hayward, \"The Mannerist Goldsmiths 3: Antwerp. Part II.\" <i>Connoisseur</i> Vol. 156. May–Aug, 1964, pp. 164 ff."},{"reference":{"text":"","id":""},"details":"","free":"John Hayward, \"The Mannerist Goldsmiths 3: Antwerp. Part III.\" <i>Connoisseur</i> Vol. 156. Aug, 1964, pp. 251 ff."},{"reference":{"text":"","id":""},"details":"","free":"John Hayward, \"The Mannerist Goldsmiths 3: Antwerp. Part IV. Italian influences in the designs of Erasmus Hornick.” <i>Connoisseur</i> Vol. 158, Jan.–April, 1965, pp. 144 ff."},{"reference":{"text":"","id":""},"details":"","free":"John Hayward, \"Some spurious antique vase designs of the sixteenth century.\" <i>Burlington Magazine</i> June 1972, Vol. 114, No. 831, pp. 378–86. "},{"reference":{"text":"","id":""},"details":"","free":"John Hayward, \"The Drawings and Engraved ornament of Erasmus Hornick.\" <i>Burlington Magazine</i> July 1968, Vol. 110, No. 784, pp. 383–9."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["5348"],"accessionNumberNum":"5348","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-08-14","recordCreationDate":"2009-06-30","availableToBook":false}}