{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1017067"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1017067/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2010EC1878/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2010EC1878/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2010EC1878","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1017067/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1017067","accessionNumber":"7078:13","objectType":"Drawing","titles":[],"summaryDescription":"Sketch elevation of a running fret from the office of leading architect and designer Sir William Chambers (1723-1796). This drawing, in an office hand, has been trimmed along the top and left-hand edges making identification of its precise purpose difficult, although the mouldings around the fret suggest a specific function. The end part of the fret has been corrected by crossings-out giving the impression that the pattern, executed in high relief, ran around the corner of a three-dimensional object.\r\n\r\nChambers was born in Sweden and died in London. He travelled widely, visiting China, and studied architecture at the Ecole des Arts, Paris, from 1749 and in Italy from 1750 to 1755.  Many of his drawings from this period are contained in his important 'Franco-Italian' album, held in the V&A.  Chambers moved to London in 1755 and published his influential Treatise on Civil Architecture in 1759.  Chambers demonstrated the breadth of his style in buildings such as Gower (later Carrington) House and Melbourne House, London, in such country houses as Duddingston, Scotland, and in the garden architecture he designed for Wilton House, Wiltshire, and at Kew Gardens. He became head of government building in 1782, and in this capacity built Somerset House, London.","physicalDescription":"Sketch elevation of a running fret. This drawing, in an office hand, has been trimmed along the top and left-hand edges making identification of its precise purpose difficult, although the mouldings around the fret suggest a specific function. The end part of the fret has been corrected by crossings-out giving the impression that the pattern, executed in high relief, ran around the corner of a three-dimensional object.","artistMakerPerson":[{"name":{"text":"Sir William Chambers","id":"N1990"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"pen and ink","id":"x30618"},{"text":"pencil","id":"x30347"}],"techniques":[{"text":"drawing","id":"x32498"}],"materialsAndTechniques":"Pen and ink with pencil","categories":[{"text":"Designs","id":"THES48968"},{"text":"Drawings","id":"THES48966"},{"text":"Architecture","id":"THES48993"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2010EC1878"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"A","shelf":"229","box":"E"}],"partTypes":[[{"text":"drawing (image-making)","id":"AAT54196"}],[{"text":"designs","id":"AAT102051"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":"probably"}],"productionDates":[{"date":{"text":"18th century","earliest":"1700-01-01","latest":"1800-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"201","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"217","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"'Fret frames'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Inscribed in ink"},{"content":"'fret frames'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Written in pencil below"}],"objectHistory":"Bought from Parsons.","historicalContext":"","briefDescription":"Sketch elevation of a running fret, 18th century, Sir William Chambers (1723-1796).","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Snodin, M. <u> Sir William Chambers. </u> London: V&A Publications, 1996."}],"production":"","productionType":{"text":"Design","id":"THES48872"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"frets (patterns)","id":"AAT10155"},{"text":"frames","id":"AAT189814"},{"text":"elevation","id":"AAT34065"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["7078:13"],"accessionNumberNum":"7078","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-05","recordCreationDate":"2009-06-30","availableToBook":false}}